The Euterpeiad: Or, Musical Intelligencer, Bände 1-3Da Capo Press, 1977 |
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Seite 61
... tune and through the the poetry and its quantity will admit of it , words at the same moment ; —and even this the strong parts of the measure should re- happy result sometimes transcended the skill ceive the accent ; but when the words ...
... tune and through the the poetry and its quantity will admit of it , words at the same moment ; —and even this the strong parts of the measure should re- happy result sometimes transcended the skill ceive the accent ; but when the words ...
Seite 74
... tune , before I could tune the instrument ; grimace . He should most studiously avoid for the ear is the foundation of all music . every sort of affectation , follow the impulses That is the best tune which best pleases the of nature ...
... tune , before I could tune the instrument ; grimace . He should most studiously avoid for the ear is the foundation of all music . every sort of affectation , follow the impulses That is the best tune which best pleases the of nature ...
Seite 153
... tune in singing is meant that persons who cannot sing in tune are yet the faculty of forming the voice to the notes sensible to the slightest variation from the of the scale with precision , or preserving pitch in others . These ...
... tune in singing is meant that persons who cannot sing in tune are yet the faculty of forming the voice to the notes sensible to the slightest variation from the of the scale with precision , or preserving pitch in others . These ...
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Häufige Begriffe und Wortgruppen
accent accompaniment admired amateurs appears attention auld lang syne bass beautiful Beethoven Society Boylston Hall breath character charms choir Chorus church music composer composition concert cultivated degree delight divine effect EUTERPEIAD excellence excite execution expression feeling flute genius give grace Handel and Haydn harmony harp Haydn Society hear heard heart heaven human voice hymn imitation improvement instru instrument Italian lady language Lord lyre manner master melody MELPOMENE ment mind Mozart musician nature never notes o'er object observed opera Oratorio orchestra organ organist Panharmonicon passages passions perfect performance Piano Forte pieces pleasure poetry praise present principles produced psalmody psalms published racter Recitative refined remarks Rossini sacred music sentiment singer singing sion soft songs soul sound spirit strings style sublime sung sweet talents taste TERPODION thee THOMAS HASTINGS thou tion tone tune violin voice words