The Euterpeiad: Or, Musical Intelligencer, Bände 1-3Da Capo Press, 1977 |
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Seite 17
... sound ; if the power of imagination and language and of the mind's association be The canzonettes of Haydn and the airs of Mozart , while they do not aspire to the same elevated place , are nevertheless as perfect in themselves , as ...
... sound ; if the power of imagination and language and of the mind's association be The canzonettes of Haydn and the airs of Mozart , while they do not aspire to the same elevated place , are nevertheless as perfect in themselves , as ...
Seite 153
... sound , which consists of scale . ( CONTINUED . ) OF INTONATION . many motions of many parts . - Hence we may safely infer , that the organs of hearing are less liable to temporary physical obstruction than those of sound . But if these ...
... sound , which consists of scale . ( CONTINUED . ) OF INTONATION . many motions of many parts . - Hence we may safely infer , that the organs of hearing are less liable to temporary physical obstruction than those of sound . But if these ...
Seite 29
... Sound are into Loud and Low , Grave and Acute , Long and Short , Increasing and Diminishing . The two first divisions are expressive in them- selves ; the two last only in conjunction with others . " " 1. Loud Sound is connected with ...
... Sound are into Loud and Low , Grave and Acute , Long and Short , Increasing and Diminishing . The two first divisions are expressive in them- selves ; the two last only in conjunction with others . " " 1. Loud Sound is connected with ...
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accent accompaniment admired amateurs appears attention auld lang syne bass beautiful Beethoven Society Boylston Hall breath character charms choir Chorus church music composer composition concert cultivated degree delight divine effect EUTERPEIAD excellence excite execution expression feeling flute genius give grace Handel and Haydn harmony harp Haydn Society hear heard heart heaven human voice hymn imitation improvement instru instrument Italian lady language Lord lyre manner master melody MELPOMENE ment mind Mozart musician nature never notes o'er object observed opera Oratorio orchestra organ organist Panharmonicon passages passions perfect performance Piano Forte pieces pleasure poetry praise present principles produced psalmody psalms published racter Recitative refined remarks Rossini sacred music sentiment singer singing sion soft songs soul sound spirit strings style sublime sung sweet talents taste TERPODION thee THOMAS HASTINGS thou tion tone tune violin voice words