The Euterpeiad: Or, Musical Intelligencer, Bände 1-3Da Capo Press, 1977 |
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Ergebnisse 1-3 von 48
Seite 61
... pieces quire the accent upon what would otherwise had any claims to harmony of tones , they cer- be the weak parts ... piece . He must to be corrected . Some of these I propose sing not merely with the understanding , but to notice , and ...
... pieces quire the accent upon what would otherwise had any claims to harmony of tones , they cer- be the weak parts ... piece . He must to be corrected . Some of these I propose sing not merely with the understanding , but to notice , and ...
Seite 176
... pieces , and to their appropriate style of per- this , it is with a consciousness that there is formance . much to admire even in those works , some out . Notwithstanding the present low state of defects of which I have presumed to ...
... pieces , and to their appropriate style of per- this , it is with a consciousness that there is formance . much to admire even in those works , some out . Notwithstanding the present low state of defects of which I have presumed to ...
Seite 182
... pieces which af- whole number of tickets printed and issued never ford him the greatest or the least gratification , he exceeded 200 , the complaint of " the friend and will gradually acquire considerable correctness member of the ...
... pieces which af- whole number of tickets printed and issued never ford him the greatest or the least gratification , he exceeded 200 , the complaint of " the friend and will gradually acquire considerable correctness member of the ...
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accent accompaniment admired amateurs appears attention auld lang syne bass beautiful Beethoven Society Boylston Hall breath character charms choir Chorus church music composer composition concert cultivated degree delight divine effect EUTERPEIAD excellence excite execution expression feeling flute genius give grace Handel and Haydn harmony harp Haydn Society hear heard heart heaven human voice hymn imitation improvement instru instrument Italian lady language Lord lyre manner master melody MELPOMENE ment mind Mozart musician nature never notes o'er object observed opera Oratorio orchestra organ organist Panharmonicon passages passions perfect performance Piano Forte pieces pleasure poetry praise present principles produced psalmody psalms published racter Recitative refined remarks Rossini sacred music sentiment singer singing sion soft songs soul sound spirit strings style sublime sung sweet talents taste TERPODION thee THOMAS HASTINGS thou tion tone tune violin voice words