The Euterpeiad: Or, Musical Intelligencer, Bände 1-3Da Capo Press, 1977 |
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Ergebnisse 1-3 von 64
Seite 100
... passage , " and that he shall stand at agree ble though still bright key of D. the latter day upon the earth , " and when a ... passages C as the foundation , he perhaps contemplat- seems to be purely a song of exultation . But ed the ...
... passage , " and that he shall stand at agree ble though still bright key of D. the latter day upon the earth , " and when a ... passages C as the foundation , he perhaps contemplat- seems to be purely a song of exultation . But ed the ...
Seite 157
... passages in the vocal parts ; No. 6 is one of them . The expression at the words " ossa humili- ata , " is certainly very strong ; but the con- In the last movement , " Dona nobis pacem " struction of the passage , its chromatic pro- we ...
... passages in the vocal parts ; No. 6 is one of them . The expression at the words " ossa humili- ata , " is certainly very strong ; but the con- In the last movement , " Dona nobis pacem " struction of the passage , its chromatic pro- we ...
Seite 30
... passage , but I beg to be understood to confine this license within very narrow limitations , and to warn the student that it is always hazardous . For a singer ought to take it as a rule that what is obvious to himself must have been ...
... passage , but I beg to be understood to confine this license within very narrow limitations , and to warn the student that it is always hazardous . For a singer ought to take it as a rule that what is obvious to himself must have been ...
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accent accompaniment admired amateurs appears attention auld lang syne bass beautiful Beethoven Society Boylston Hall breath character charms choir Chorus church music composer composition concert cultivated degree delight divine effect EUTERPEIAD excellence excite execution expression feeling flute genius give grace Handel and Haydn harmony harp Haydn Society hear heard heart heaven human voice hymn imitation improvement instru instrument Italian lady language Lord lyre manner master melody MELPOMENE ment mind Mozart musician nature never notes o'er object observed opera Oratorio orchestra organ organist Panharmonicon passages passions perfect performance Piano Forte pieces pleasure poetry praise present principles produced psalmody psalms published racter Recitative refined remarks Rossini sacred music sentiment singer singing sion soft songs soul sound spirit strings style sublime sung sweet talents taste TERPODION thee THOMAS HASTINGS thou tion tone tune violin voice words