The Euterpeiad: Or, Musical Intelligencer, Bände 1-3Da Capo Press, 1977 |
Im Buch
Ergebnisse 1-3 von 45
Seite 20
... occasion , which was on the composition ; it is not now considered how 16th of July 1607. Dr. John Bull was first to aid sense by expressive sound , but how to Professor of Music to Gresham College in set off the unnatural dimensions of ...
... occasion , which was on the composition ; it is not now considered how 16th of July 1607. Dr. John Bull was first to aid sense by expressive sound , but how to Professor of Music to Gresham College in set off the unnatural dimensions of ...
Seite 118
... occasion , we must be permitted to ing One thousand persons of both sexes , on which offer a few remarks . - We are happy to find in this occasion an efficient orchestra , with several mem- section of our country a lively spirit for ...
... occasion , we must be permitted to ing One thousand persons of both sexes , on which offer a few remarks . - We are happy to find in this occasion an efficient orchestra , with several mem- section of our country a lively spirit for ...
Seite 177
... occasion , the first magis- trate of a state was once greeted , at bis en- trance at church , with " Lord what is man , poor feeble man . " was more than compensated by a distinct , ap- propriate and impassioned enunciation . His ...
... occasion , the first magis- trate of a state was once greeted , at bis en- trance at church , with " Lord what is man , poor feeble man . " was more than compensated by a distinct , ap- propriate and impassioned enunciation . His ...
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
accent accompaniment admired amateurs appears attention auld lang syne bass beautiful Beethoven Society Boylston Hall breath character charms choir Chorus church music composer composition concert cultivated degree delight divine effect EUTERPEIAD excellence excite execution expression feeling flute genius give grace Handel and Haydn harmony harp Haydn Society hear heard heart heaven human voice hymn imitation improvement instru instrument Italian lady language Lord lyre manner master melody MELPOMENE ment mind Mozart musician nature never notes o'er object observed opera Oratorio orchestra organ organist Panharmonicon passages passions perfect performance Piano Forte pieces pleasure poetry praise present principles produced psalmody psalms published racter Recitative refined remarks Rossini sacred music sentiment singer singing sion soft songs soul sound spirit strings style sublime sung sweet talents taste TERPODION thee THOMAS HASTINGS thou tion tone tune violin voice words