The Euterpeiad: Or, Musical Intelligencer, Bände 1-3Da Capo Press, 1977 |
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Seite 30
... mind realized a conviction , of the great affinity displayed between sense and sound . There needs no argument at this period , to prove the general proposition , that to add to genuine refinement is to humanize the mind and to improve ...
... mind realized a conviction , of the great affinity displayed between sense and sound . There needs no argument at this period , to prove the general proposition , that to add to genuine refinement is to humanize the mind and to improve ...
Seite 65
... mind ought not to be distracted at all from the particular feeling it is wished to excite . If I am not inclined to yield en- OF THE CONCERT . In discussing the second objection , to be true in a degree , since , by frequently tirely to ...
... mind ought not to be distracted at all from the particular feeling it is wished to excite . If I am not inclined to yield en- OF THE CONCERT . In discussing the second objection , to be true in a degree , since , by frequently tirely to ...
Seite 22
... mind and imagination.- Would not one evening in the week , so spent , afford more luxury to reflex- ion , and do more towards establishing useful principles in female minds , than social meetings of any other kind ? That it is important ...
... mind and imagination.- Would not one evening in the week , so spent , afford more luxury to reflex- ion , and do more towards establishing useful principles in female minds , than social meetings of any other kind ? That it is important ...
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accent accompaniment admired amateurs appears attention auld lang syne bass beautiful Beethoven Society Boylston Hall breath character charms choir Chorus church music composer composition concert cultivated degree delight divine effect EUTERPEIAD excellence excite execution expression feeling flute genius give grace Handel and Haydn harmony harp Haydn Society hear heard heart heaven human voice hymn imitation improvement instru instrument Italian lady language Lord lyre manner master melody MELPOMENE ment mind Mozart musician nature never notes o'er object observed opera Oratorio orchestra organ organist Panharmonicon passages passions perfect performance Piano Forte pieces pleasure poetry praise present principles produced psalmody psalms published racter Recitative refined remarks Rossini sacred music sentiment singer singing sion soft songs soul sound spirit strings style sublime sung sweet talents taste TERPODION thee THOMAS HASTINGS thou tion tone tune violin voice words