The Euterpeiad: Or, Musical Intelligencer, Bände 1-3Da Capo Press, 1977 |
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Seite 4
... means of words , or of sensible im- that exquisite and fire - wrought susceptibility , ages , or of both combined . Their principles , which invariably marks the temperament of the though in one sense founded on nature , since true ...
... means of words , or of sensible im- that exquisite and fire - wrought susceptibility , ages , or of both combined . Their principles , which invariably marks the temperament of the though in one sense founded on nature , since true ...
Seite 22
... means of rational delight as well as enlarged the accessary treasures of divine wor rhip . The principle of taste is Truth , now , what is truth with regard to that music which mortal man addresses to his Creator and Judge ? Does not ...
... means of rational delight as well as enlarged the accessary treasures of divine wor rhip . The principle of taste is Truth , now , what is truth with regard to that music which mortal man addresses to his Creator and Judge ? Does not ...
Seite 149
... mean ? Why , I have been thrown together by some terrible mean my lord , as deep as he thought himself , convulsion of nature . From the appearance I stagg'd him ! I cannot conceive , friend , of the stones , probably at some former ...
... mean ? Why , I have been thrown together by some terrible mean my lord , as deep as he thought himself , convulsion of nature . From the appearance I stagg'd him ! I cannot conceive , friend , of the stones , probably at some former ...
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accent accompaniment admired amateurs appears attention auld lang syne bass beautiful Beethoven Society Boylston Hall breath character charms choir Chorus church music composer composition concert cultivated degree delight divine effect EUTERPEIAD excellence excite execution expression feeling flute genius give grace Handel and Haydn harmony harp Haydn Society hear heard heart heaven human voice hymn imitation improvement instru instrument Italian lady language Lord lyre manner master melody MELPOMENE ment mind Mozart musician nature never notes o'er object observed opera Oratorio orchestra organ organist Panharmonicon passages passions perfect performance Piano Forte pieces pleasure poetry praise present principles produced psalmody psalms published racter Recitative refined remarks Rossini sacred music sentiment singer singing sion soft songs soul sound spirit strings style sublime sung sweet talents taste TERPODION thee THOMAS HASTINGS thou tion tone tune violin voice words