The Euterpeiad: Or, Musical Intelligencer, Bände 1-3Da Capo Press, 1977 |
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Seite 65
... ideas , has regard to the tions be not remote , but slide imperceptibly character of the expression , and if this be into one another . Violent transitions , al- addressed to the loftier sentiments of the though very custoy , are always ...
... ideas , has regard to the tions be not remote , but slide imperceptibly character of the expression , and if this be into one another . Violent transitions , al- addressed to the loftier sentiments of the though very custoy , are always ...
Seite 146
... ideas must all tend to produce the ice of apathy naturally existing in the some one feeling , or the composition is not breast of the Indian , and arouses his slum- worthy of that appellation . Without this bering energies . It is not ...
... ideas must all tend to produce the ice of apathy naturally existing in the some one feeling , or the composition is not breast of the Indian , and arouses his slum- worthy of that appellation . Without this bering energies . It is not ...
Seite 29
... ideas , and emotions , they excite . " The great divisions of Sound are into Loud and Low , Grave and Acute , Long and Short , Increasing and Diminishing . The two first divisions are expressive in them- selves ; the two last only in ...
... ideas , and emotions , they excite . " The great divisions of Sound are into Loud and Low , Grave and Acute , Long and Short , Increasing and Diminishing . The two first divisions are expressive in them- selves ; the two last only in ...
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accent accompaniment admired amateurs appears attention auld lang syne bass beautiful Beethoven Society Boylston Hall breath character charms choir Chorus church music composer composition concert cultivated degree delight divine effect EUTERPEIAD excellence excite execution expression feeling flute genius give grace Handel and Haydn harmony harp Haydn Society hear heard heart heaven human voice hymn imitation improvement instru instrument Italian lady language Lord lyre manner master melody MELPOMENE ment mind Mozart musician nature never notes o'er object observed opera Oratorio orchestra organ organist Panharmonicon passages passions perfect performance Piano Forte pieces pleasure poetry praise present principles produced psalmody psalms published racter Recitative refined remarks Rossini sacred music sentiment singer singing sion soft songs soul sound spirit strings style sublime sung sweet talents taste TERPODION thee THOMAS HASTINGS thou tion tone tune violin voice words