The Euterpeiad: Or, Musical Intelligencer, Bände 1-3Da Capo Press, 1977 |
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Seite 117
... grace , not to be matched we think , in the works of any other race of writers for bases , scarcely excepting the author of the Cre- fation himself . Mr. Bartleman was a member of the chapel royal and other choirs , a scientific and ...
... grace , not to be matched we think , in the works of any other race of writers for bases , scarcely excepting the author of the Cre- fation himself . Mr. Bartleman was a member of the chapel royal and other choirs , a scientific and ...
Seite 150
... grace , such tenderness , such sweetness ; who prom- ises a relaxation so innocent , who steeps the senses in such enchanting forgetfulness , who , at pleasure , elevates the soul to the rapture of adoration , or sinks it to the ...
... grace , such tenderness , such sweetness ; who prom- ises a relaxation so innocent , who steeps the senses in such enchanting forgetfulness , who , at pleasure , elevates the soul to the rapture of adoration , or sinks it to the ...
Seite 27
... grace While my tongue dares to tell of a secret so sweet ; But O ! he can love , though no love he impart , Oh ! yes , he can feel , if he cannot bestow . But if in her heart she can find me no place , At least I can find one myself ...
... grace While my tongue dares to tell of a secret so sweet ; But O ! he can love , though no love he impart , Oh ! yes , he can feel , if he cannot bestow . But if in her heart she can find me no place , At least I can find one myself ...
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accent accompaniment admired amateurs appears attention auld lang syne bass beautiful Beethoven Society Boylston Hall breath character charms choir Chorus church music composer composition concert cultivated degree delight divine effect EUTERPEIAD excellence excite execution expression feeling flute genius give grace Handel and Haydn harmony harp Haydn Society hear heard heart heaven human voice hymn imitation improvement instru instrument Italian lady language Lord lyre manner master melody MELPOMENE ment mind Mozart musician nature never notes o'er object observed opera Oratorio orchestra organ organist Panharmonicon passages passions perfect performance Piano Forte pieces pleasure poetry praise present principles produced psalmody psalms published racter Recitative refined remarks Rossini sacred music sentiment singer singing sion soft songs soul sound spirit strings style sublime sung sweet talents taste TERPODION thee THOMAS HASTINGS thou tion tone tune violin voice words