The Euterpeiad: Or, Musical Intelligencer, Bände 1-3Da Capo Press, 1977 |
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Seite 80
... given ? Why those gems that deck the sky ? ' Tis to proclaim TREE , Lord of Heaven ! All that's vast , by thy decree , Hath been made to honor THEE . Why does darkness veil the world ? That Thou may'st triumph o'er the shade-- Why are ...
... given ? Why those gems that deck the sky ? ' Tis to proclaim TREE , Lord of Heaven ! All that's vast , by thy decree , Hath been made to honor THEE . Why does darkness veil the world ? That Thou may'st triumph o'er the shade-- Why are ...
Seite 147
... given with spirit and repeated with increased effect . After which the first part closed with a solo and chorus from the Dettingen Te - Deum , " Thou art the King of Glory . " Its performance would have been improved , by being given in ...
... given with spirit and repeated with increased effect . After which the first part closed with a solo and chorus from the Dettingen Te - Deum , " Thou art the King of Glory . " Its performance would have been improved , by being given in ...
Seite 153
... given without reference a composition sung from memory ; with the to instruments , because the divisions of per- last only we have to do : for the two former fect tune ought , we apprehend , for such a little or nothing can be effected ...
... given without reference a composition sung from memory ; with the to instruments , because the divisions of per- last only we have to do : for the two former fect tune ought , we apprehend , for such a little or nothing can be effected ...
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accent accompaniment admired amateurs appears attention auld lang syne bass beautiful Beethoven Society Boylston Hall breath character charms choir Chorus church music composer composition concert cultivated degree delight divine effect EUTERPEIAD excellence excite execution expression feeling flute genius give grace Handel and Haydn harmony harp Haydn Society hear heard heart heaven human voice hymn imitation improvement instru instrument Italian lady language Lord lyre manner master melody MELPOMENE ment mind Mozart musician nature never notes o'er object observed opera Oratorio orchestra organ organist Panharmonicon passages passions perfect performance Piano Forte pieces pleasure poetry praise present principles produced psalmody psalms published racter Recitative refined remarks Rossini sacred music sentiment singer singing sion soft songs soul sound spirit strings style sublime sung sweet talents taste TERPODION thee THOMAS HASTINGS thou tion tone tune violin voice words