The Euterpeiad: Or, Musical Intelligencer, Bände 1-3Da Capo Press, 1977 |
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Seite 45
... compositions , I make no doubt but the effect cel in scientific skill , genius or execution , was equal to what ... compositions as disquisitions concerning the precise nature have been pretty generally acknowledged to of musical ...
... compositions , I make no doubt but the effect cel in scientific skill , genius or execution , was equal to what ... compositions as disquisitions concerning the precise nature have been pretty generally acknowledged to of musical ...
Seite 156
... compositions . other musical instruments , the human voice is the most difficult of all to manage . Nature gives correct intonation to a very few , and those to whom it has been denied , seldom or never succeed altogether in supplying ...
... compositions . other musical instruments , the human voice is the most difficult of all to manage . Nature gives correct intonation to a very few , and those to whom it has been denied , seldom or never succeed altogether in supplying ...
Seite 188
... compositions are ingly . The truth of the preceding observations not thus refined ; for in such a case none but in relation to two opposite descriptions of a professed master might hope to be able to compositions , is so obvious as to ...
... compositions are ingly . The truth of the preceding observations not thus refined ; for in such a case none but in relation to two opposite descriptions of a professed master might hope to be able to compositions , is so obvious as to ...
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accent accompaniment admired amateurs appears attention auld lang syne bass beautiful Beethoven Society Boylston Hall breath character charms choir Chorus church music composer composition concert cultivated degree delight divine effect EUTERPEIAD excellence excite execution expression feeling flute genius give grace Handel and Haydn harmony harp Haydn Society hear heard heart heaven human voice hymn imitation improvement instru instrument Italian lady language Lord lyre manner master melody MELPOMENE ment mind Mozart musician nature never notes o'er object observed opera Oratorio orchestra organ organist Panharmonicon passages passions perfect performance Piano Forte pieces pleasure poetry praise present principles produced psalmody psalms published racter Recitative refined remarks Rossini sacred music sentiment singer singing sion soft songs soul sound spirit strings style sublime sung sweet talents taste TERPODION thee THOMAS HASTINGS thou tion tone tune violin voice words