The Euterpeiad: Or, Musical Intelligencer, Bände 1-3Da Capo Press, 1977 |
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Seite 176
... composer whose design he is unable to com- otic ; for there are certain places where the prehend . He may also find it difficult to un- parts imitate each other in a manner whichderstand why his style of execution should not shows too ...
... composer whose design he is unable to com- otic ; for there are certain places where the prehend . He may also find it difficult to un- parts imitate each other in a manner whichderstand why his style of execution should not shows too ...
Seite 188
... composer's art ; so the performer , whose employment of instruments in church music ? talents will not enable him to form an ade - The scriptures of the Old Testament sanct- quate conception of the composer's design , ion their use in ...
... composer's art ; so the performer , whose employment of instruments in church music ? talents will not enable him to form an ade - The scriptures of the Old Testament sanct- quate conception of the composer's design , ion their use in ...
Seite 30
... composer ; and consequently that the passage he pro- poses to substitute may most probably have occurred to the author and have been rejected . The consideration therefore that the composer has weighed and balanced all the parts of his ...
... composer ; and consequently that the passage he pro- poses to substitute may most probably have occurred to the author and have been rejected . The consideration therefore that the composer has weighed and balanced all the parts of his ...
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accent accompaniment admired amateurs appears attention auld lang syne bass beautiful Beethoven Society Boylston Hall breath character charms choir Chorus church music composer composition concert cultivated degree delight divine effect EUTERPEIAD excellence excite execution expression feeling flute genius give grace Handel and Haydn harmony harp Haydn Society hear heard heart heaven human voice hymn imitation improvement instru instrument Italian lady language Lord lyre manner master melody MELPOMENE ment mind Mozart musician nature never notes o'er object observed opera Oratorio orchestra organ organist Panharmonicon passages passions perfect performance Piano Forte pieces pleasure poetry praise present principles produced psalmody psalms published racter Recitative refined remarks Rossini sacred music sentiment singer singing sion soft songs soul sound spirit strings style sublime sung sweet talents taste TERPODION thee THOMAS HASTINGS thou tion tone tune violin voice words