The Euterpeiad: Or, Musical Intelligencer, Bände 1-3Da Capo Press, 1977 |
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Seite 41
... character , that circum- prehend at least all the objects of musical scribes and chastens the whole . The true imitation that are thought to move the pas - style of the church banishes every vulgar , sions , emotions , and sentiments of ...
... character , that circum- prehend at least all the objects of musical scribes and chastens the whole . The true imitation that are thought to move the pas - style of the church banishes every vulgar , sions , emotions , and sentiments of ...
Seite 156
... character of the dif- are sufficient to occupy the life and exercise ferent organs or instruments which he em- the genius of the most gifted among mankind . ploys . In my last number I took occasion to Hereafter I may attempt something ...
... character of the dif- are sufficient to occupy the life and exercise ferent organs or instruments which he em- the genius of the most gifted among mankind . ploys . In my last number I took occasion to Hereafter I may attempt something ...
Seite 175
... character , cal compositions . something between the parade and the play- There is nothing new in this apprehension , house , but that mixed character does not for the extraordinary attention which compo- fairly entitle it to admission ...
... character , cal compositions . something between the parade and the play- There is nothing new in this apprehension , house , but that mixed character does not for the extraordinary attention which compo- fairly entitle it to admission ...
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accent accompaniment admired amateurs appears attention auld lang syne bass beautiful Beethoven Society Boylston Hall breath character charms choir Chorus church music composer composition concert cultivated degree delight divine effect EUTERPEIAD excellence excite execution expression feeling flute genius give grace Handel and Haydn harmony harp Haydn Society hear heard heart heaven human voice hymn imitation improvement instru instrument Italian lady language Lord lyre manner master melody MELPOMENE ment mind Mozart musician nature never notes o'er object observed opera Oratorio orchestra organ organist Panharmonicon passages passions perfect performance Piano Forte pieces pleasure poetry praise present principles produced psalmody psalms published racter Recitative refined remarks Rossini sacred music sentiment singer singing sion soft songs soul sound spirit strings style sublime sung sweet talents taste TERPODION thee THOMAS HASTINGS thou tion tone tune violin voice words