The Euterpeiad: Or, Musical Intelligencer, Bände 1-3Da Capo Press, 1977 |
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Seite 8
... ORATORIO . On Tuesday Evening last , the Handel and Haydn Society gave their fifth and last Oratorio of a regu- lar course . It consisted of the following selections . The opening of the Messiah , " Comfort ye my peo- ple , " Every ...
... ORATORIO . On Tuesday Evening last , the Handel and Haydn Society gave their fifth and last Oratorio of a regu- lar course . It consisted of the following selections . The opening of the Messiah , " Comfort ye my peo- ple , " Every ...
Seite 108
... Oratorio , highly spoken of , and we consider the great encouragement which many times performed , was published in is given to music in this country , and when 1634 ; it was called " St. Alexis . " The every one is aware that we are ...
... Oratorio , highly spoken of , and we consider the great encouragement which many times performed , was published in is given to music in this country , and when 1634 ; it was called " St. Alexis . " The every one is aware that we are ...
Seite 200
... Oratorio of Judah , Father we adore thee , The duet O lovely Peace preceded Mozart's sublime chorus . Glory be to God on High , followed by Let the bright Seraphim . Let these Celestial Concerts , an effective and powerful chorus by ...
... Oratorio of Judah , Father we adore thee , The duet O lovely Peace preceded Mozart's sublime chorus . Glory be to God on High , followed by Let the bright Seraphim . Let these Celestial Concerts , an effective and powerful chorus by ...
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accent accompaniment admired amateurs appears attention auld lang syne bass beautiful Beethoven Society Boylston Hall breath character charms choir Chorus church music composer composition concert cultivated degree delight divine effect EUTERPEIAD excellence excite execution expression feeling flute genius give grace Handel and Haydn harmony harp Haydn Society hear heard heart heaven human voice hymn imitation improvement instru instrument Italian lady language Lord lyre manner master melody MELPOMENE ment mind Mozart musician nature never notes o'er object observed opera Oratorio orchestra organ organist Panharmonicon passages passions perfect performance Piano Forte pieces pleasure poetry praise present principles produced psalmody psalms published racter Recitative refined remarks Rossini sacred music sentiment singer singing sion soft songs soul sound spirit strings style sublime sung sweet talents taste TERPODION thee THOMAS HASTINGS thou tion tone tune violin voice words