The Euterpeiad: Or, Musical Intelligencer, Bände 1-3Da Capo Press, 1977 |
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Ergebnisse 1-3 von 67
Seite 82
... Handel's compositions for a rather than by melody , and the whole cast of these airs are suited to the ponderous and rough magnificence of genuine bass voices of great compass and strength , in the lower tones especially . Handel's bass ...
... Handel's compositions for a rather than by melody , and the whole cast of these airs are suited to the ponderous and rough magnificence of genuine bass voices of great compass and strength , in the lower tones especially . Handel's bass ...
Seite 135
... Handel's Oratorio of Esther , was delightfully executed by a Soprano and Tenor voice , succeed- And which a master's hand alone can reach . " ed by Handel's grand chorus " How excellent is thy name , " which was contrasted by an ...
... Handel's Oratorio of Esther , was delightfully executed by a Soprano and Tenor voice , succeed- And which a master's hand alone can reach . " ed by Handel's grand chorus " How excellent is thy name , " which was contrasted by an ...
Seite 191
... Handel's circumstances ons , and the appearance of several periodical were less prosperous than they had been , he publications exclusively devoted to the art , invited Goupy to dine with him . The meal afford at all events indubitable ...
... Handel's circumstances ons , and the appearance of several periodical were less prosperous than they had been , he publications exclusively devoted to the art , invited Goupy to dine with him . The meal afford at all events indubitable ...
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accent accompaniment admired amateurs appears attention auld lang syne bass beautiful Beethoven Society Boylston Hall breath character charms choir Chorus church music composer composition concert cultivated degree delight divine effect EUTERPEIAD excellence excite execution expression feeling flute genius give grace Handel and Haydn harmony harp Haydn Society hear heard heart heaven human voice hymn imitation improvement instru instrument Italian lady language Lord lyre manner master melody MELPOMENE ment mind Mozart musician nature never notes o'er object observed opera Oratorio orchestra organ organist Panharmonicon passages passions perfect performance Piano Forte pieces pleasure poetry praise present principles produced psalmody psalms published racter Recitative refined remarks Rossini sacred music sentiment singer singing sion soft songs soul sound spirit strings style sublime sung sweet talents taste TERPODION thee THOMAS HASTINGS thou tion tone tune violin voice words