The Euterpeiad: Or, Musical Intelligencer, Bände 1-3Da Capo Press, 1977 |
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Seite 65
... ( CONTINUED . ) that the sentiment ought to be of one kinds and that the mind ought not to be distracted at all from the particular feeling it is wished to excite . If I am not inclined to yield en- OF THE CONCERT . In discussing the ...
... ( CONTINUED . ) that the sentiment ought to be of one kinds and that the mind ought not to be distracted at all from the particular feeling it is wished to excite . If I am not inclined to yield en- OF THE CONCERT . In discussing the ...
Seite 81
... ( CONTINUED . ) OF THE CONCERT , It is allotted to no man , whatever be his tank in science , to display at one view al his¦¦ treasured anowienge , or all the graces of Intellectual capacity or genius of the per former . .6 Semper vellem ...
... ( CONTINUED . ) OF THE CONCERT , It is allotted to no man , whatever be his tank in science , to display at one view al his¦¦ treasured anowienge , or all the graces of Intellectual capacity or genius of the per former . .6 Semper vellem ...
Seite 8
... continued the study of music under his half brother , Mr. James Burney , who was an eminent organist and teacher , of that town . In 1744 he met with Dr. Arne , at Chester , who perceiving his talents to be respectable , prevailed upon ...
... continued the study of music under his half brother , Mr. James Burney , who was an eminent organist and teacher , of that town . In 1744 he met with Dr. Arne , at Chester , who perceiving his talents to be respectable , prevailed upon ...
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accent accompaniment admired amateurs appears attention auld lang syne bass beautiful Beethoven Society Boylston Hall breath character charms choir Chorus church music composer composition concert cultivated degree delight divine effect EUTERPEIAD excellence excite execution expression feeling flute genius give grace Handel and Haydn harmony harp Haydn Society hear heard heart heaven human voice hymn imitation improvement instru instrument Italian lady language Lord lyre manner master melody MELPOMENE ment mind Mozart musician nature never notes o'er object observed opera Oratorio orchestra organ organist Panharmonicon passages passions perfect performance Piano Forte pieces pleasure poetry praise present principles produced psalmody psalms published racter Recitative refined remarks Rossini sacred music sentiment singer singing sion soft songs soul sound spirit strings style sublime sung sweet talents taste TERPODION thee THOMAS HASTINGS thou tion tone tune violin voice words