A New History of Documentary Film: Second EditionBloomsbury Publishing USA, 28 de mar. de 2013 - 456 páginas A New History of Documentary Film, Second Edition offers a much-needed resource, considering the very rapid changes taking place within documentary media. Building upon the best-selling 2005 edition, Betsy McLane keeps the same chronological examination, factual reliability, ease of use and accessible prose style as before, while also weaving three new threads - Experimental Documentary, Visual Anthropology and Environmental/Nature Films - into the discussion. She provides emphasis on archival and preservation history, present practices, and future needs for documentaries. Along with preservation information, specific problems of copyright and fair use, as they relate to documentary, are considered. Finally, A History of Documentary Film retains and updates the recommended readings and important films and the end of each chapter from the first edition, including the bibliography and appendices. Impossible to talk learnedly about documentary film without an audio-visual component, a companion website will increase its depth of information and overall usefulness to students, teachers and film enthusiasts. |
Conteúdo
The Soviets and Political Indoctrination 19221929 | |
The European AvantGarde Experimentation 19221929 | |
Great Britain 19291939 | |
Institutionalization USA 19301941 | |
WWII | |
Postwar Documentary 19451961 | |
Cinéma vérité direct cinema 19581970 | |
Power to the People | |
Video Arrives | |
Reality Bytes | |
Documentary Tradition in the TwentyFirst Century | |
Now and When | |
Appendix | |
Appendix | |
Documentary for Television The Golden Years 19511971 | |
British Free Cinema and New American Cinema 19531960 | |
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Termos e frases comuns
action American approach Archive artistic audiences Battle became become began beginning Board Britain British Broadcasting called camera Canada Canadian century changed Chapter Cinema City continued countries created critical culture directed distribution documentary Documentary Film early editing educational effects established example existed experience experimental festivals fiction Fight film filmmakers Flaherty footage Frances funding Grierson House images important independent individual industry Institute interest interviews issues James John later lives London major March means movement moving needed Newsreel offered organization original perhaps photographer picture political present Press problems produced programme record Related remains reported Robert School screen short shot shows social sometimes sound Soviet story studio style subjects success takes technique television tradition United University wartime women World York