The Idea of Comedy: History, Theory, CritiqueFairleigh Dickinson University Press, 2006 - 287 Seiten One of the few constants in Western critical though for over twomillennia has been the inexhaustible fascination with comedy: what itis and how it works. Yet comedy has eluded every definition. Why haveso many of the leading critics and philosophers of the West proposedtheories and counter-theories of comedy while often admitting that itenthralls and baffles the mind in equal measure? The Idea of Comedy: A Critique assembles a rich corpus of materials from differentlanguages and eras to construct a history of the commentaries andreflections, the theoretical postulates and conjectures, and the oftenacrimonious debates about comedy through the centuries from Platoand Aristotle to our contemporaries |
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Seite 52
... construct morality , there is ulti- mately no essential difference between the social and the moral , the latter being a self - serving construct of the former . “ To sum up , whether a character is good or bad is of little moment ...
... construct morality , there is ulti- mately no essential difference between the social and the moral , the latter being a self - serving construct of the former . “ To sum up , whether a character is good or bad is of little moment ...
Seite 208
... construct it as normatively incorrect . . . [ as failing ] to match prevalent behavioural norms " ( 103 ) . 99 The ... constructed in this way , in this process ( “ social and psychic identity formations are inseparable , ' Comedy , 104 ) ...
... construct it as normatively incorrect . . . [ as failing ] to match prevalent behavioural norms " ( 103 ) . 99 The ... constructed in this way , in this process ( “ social and psychic identity formations are inseparable , ' Comedy , 104 ) ...
Seite 210
... constructed by comedy . Indeed , comedy " largely constructs the cate- gories of behaviour it subsequently disavows " ( 151 ) . Thus the “ we ” of criticism itself is also " a constructed confirmation " of the comic process of ...
... constructed by comedy . Indeed , comedy " largely constructs the cate- gories of behaviour it subsequently disavows " ( 151 ) . Thus the “ we ” of criticism itself is also " a constructed confirmation " of the comic process of ...
Inhalt
Acknowledgments | 9 |
Twin Modernist Elisions | 143 |
The Interlude of Postmodernist Conceptions | 173 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
aesthetic analysis archetypal argues Aristophanes Aristotle audience becomes Bergson butt called canon century characters comic character comic hero comic texts comic theory common concept Concerning construct contemporary continued critical culture defined developed discourse dominant effect ethical example farce festive figure finds folly fool forms French Freud Frye function genres human humor idea of comedy ideal incongruity individual intellectual ironic joke kind language later laugh laughter less literary matter means medieval mind mode modernist moral nature notes notion object opposition original particular perhaps play pleasure plot populist position postmodern premise primary principle reading reality reason reflection relation Renaissance ridiculous ritual Romantic satiric says seems sense social norm society specific standard structure suggests superiority theoretical theorists thesis thinking thought tion Torrance tradition tragedy truth turn types unconscious universal values writers
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Feminine Discourse in Roman Comedy: On Echoes and Voices Dorota M. Dutsch Eingeschränkte Leseprobe - 2008 |