The Lives of the Most Eminent English Poets,: With Critical Observations on Their Works, Volume 1
J. Rivington & Sons, L. Davis, B. White & Son, T. Longman, B. Law, ... [and 35 others in London], 1790
O que estão dizendo - Escrever uma resenha
Não encontramos nenhuma resenha nos lugares comuns.
Outras edições - Ver todos
Lives of the Most Eminent English Poets, with Critical ..., Volume 1
Visualização completa - 1821
The Lives of the Most Eminent English Poets. With Critical Observations on ...
Visualização completa - 1801
the lives of the most eminent english poets with critical observations on ...
samuel johnson, ll.d.
Visualização completa - 1806
action admired afterwards againſt appears beauties becauſe better called character common conſidered Cowley danger daughter death delight deſign deſire Dryden Earl elegance equal excellence expected firſt fome formed friends give given hand himſelf hope houſe images imagination imitation Italy kind King knowledge known Lady language laſt Latin learned leaſt leſs lines lived Lord loſt mean mention Milton mind moſt muſt nature never nihil numbers obſervation once opinion Paradiſe perhaps Philips pieces pleaſing pleaſure poem poet poetical poetry praiſe preſent probably produced publiſhed reader reaſon relates remarks ſaid ſame ſays ſeems ſentiments ſhall ſhould ſome ſomething ſometimes ſon ſtill ſtudy ſtyle ſubject ſuch ſupply ſuppoſed tell theſe things thoſe thou thought tion truth uſe verſes virtue Waller whole whoſe write written wrote
Página 113 - Damn with faint praise, assent with civil leer, And without sneering, teach the rest to sneer; Willing to wound and yet afraid to strike, Just hint a fault and hesitate dislike; Alike...
Página 347 - He doubtless praised some whom he would have been afraid to marry, and perhaps married one whom he would have been ashamed to praise. Many qualities contribute to domestic happiness, upon which poetry has no colours to bestow ; and many airs and sallies may delight imagination, which he who flatters them never can approve.
Página 119 - Horace's wit and Virgil's state He did not steal, but emulate, And when he would like them appear, Their garb, but not their clothes, did wear ; He not from Rome alone, but Greece, Like Jason brought the golden fleece ; To him that language, though to none Of th' others, as his own was known.
Página 271 - ... he neither courted nor received support ; there is in his writings nothing by which the pride of other authors might be gratified, or favour gained; no exchange of praise, nor solicitation of support. His great works were performed under discountenance, and in blindness, but difficulties vanished at his touch; he was born for whatever is arduous ; and his work is not the greatest of heroick poems, only because it is not the first.
Página 216 - To be of no Church is dangerous. Religion, of which the rewards are distant, and which is animated only by Faith and Hope, will glide by degrees out of the mind, unless it be invigorated and reimpressed by external ordinances, by stated calls to worship, and the salutary influence of example.
Página 25 - I am yet unable to move or turn myself in my bed. This is my personal fortune here to begin with. And, besides, I can get no money from my tenants, and have my meadows eaten up every night by cattle put in by my neighbours. What this signifies, or may come to in time, God knows ; if it be ominous, it can end in nothing less than hanging.
Página 30 - The most heterogeneous ideas are yoked by violence together ; nature and art are ransacked for illustrations, comparisons, and allusions ; their learning instructs and their subtlety surprises ; but the reader commonly thinks his improvement dearly bought, and, though he sometimes admires, is seldom pleased.
Página 260 - But such airy beings are for the most part suffered only to do their natural office, and retire. Thus Fame tells a tale and Victory hovers over a general or perches on a standard; but Fame and Victory can do no more. To give them any real employment or ascribe to them any material agency is to make them allegorical no longer, but to shock the mind by ascribing effects to non-entity.