AdIAnnali D'Italianistica, 1998 |
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Página 32
... example , the portrait genre can also be used principally as a commentary upon or a representation of the experience of the artist . In such cases the boundaries of a sub - set , artist's self - portrait , are dissolved or stretched to ...
... example , the portrait genre can also be used principally as a commentary upon or a representation of the experience of the artist . In such cases the boundaries of a sub - set , artist's self - portrait , are dissolved or stretched to ...
Página 215
... example , left its particular imprint , its vilification of prostitution reveals no radical difference from the arguments against sex for sale that preceded the Regime . However , distinct from this fixed and enduring complaint develop ...
... example , left its particular imprint , its vilification of prostitution reveals no radical difference from the arguments against sex for sale that preceded the Regime . However , distinct from this fixed and enduring complaint develop ...
Página 380
... example , between the simple “ disse ” of the dramatic modes and the more elaborate phrases ( e.g. , " con rencriscimento grandissimo " ) of the narrated modes . The chapter on rhetorical figures immediately indicates Masuccio's aims ...
... example , between the simple “ disse ” of the dramatic modes and the more elaborate phrases ( e.g. , " con rencriscimento grandissimo " ) of the narrated modes . The chapter on rhetorical figures immediately indicates Masuccio's aims ...
Conteúdo
Volume 16 | 11 |
Bette Talvacchia The Erotic Souvenir as a Portrait of the Artist | 31 |
Walter Zampieri Brunelleschi e il Grasso | 49 |
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