Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 83Gale Research Company, 1984 |
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Página 258
... possibility of utterance to this broken body . It is also remarkable that Céline's rewrit- ing of the Rabelaisian ' grotesque ' body is doubled by an enthusiasm for the dynamic and ' elastic ' bodies of ballet dancers , which escape ...
... possibility of utterance to this broken body . It is also remarkable that Céline's rewrit- ing of the Rabelaisian ' grotesque ' body is doubled by an enthusiasm for the dynamic and ' elastic ' bodies of ballet dancers , which escape ...
Página 285
... possibility but disappears as soon as it seeks to grasp for it , and it is a nothing that can only bring anxiety . ( The Concept of Anxiety 41-42 ) Awake , Troilus posits two selves , one without Cressida and one with her . The self ...
... possibility but disappears as soon as it seeks to grasp for it , and it is a nothing that can only bring anxiety . ( The Concept of Anxiety 41-42 ) Awake , Troilus posits two selves , one without Cressida and one with her . The self ...
Página 286
... possibility of being able , " pits itself against prohibition . This possibility — that is , acting against the prohibition - presents yet other pos- sibilities , although they too present themselves but opaquely . Kierkegaard concludes ...
... possibility of being able , " pits itself against prohibition . This possibility — that is , acting against the prohibition - presents yet other pos- sibilities , although they too present themselves but opaquely . Kierkegaard concludes ...
Conteúdo
Cumulative Character Index | 355 |
Cumulative Topic Index | 367 |
Cumulative Topic Index by Play | 391 |
Direitos autorais | |
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abuse Achilles appears Arcite audience Bassanio becomes Brutus Cambridge catastrophe characters Christian comedy comic Cordelia critics daughter death desire Diomedes disguise dramatic Edgar Edmund effeminacy Elizabethan Emilia English erotic essay Falstaff fantasy father feel Fool friends friendship Gentlemen of Verona Gloucester Gloucester's gods Goneril Greek grotesque body Hamlet Hector Helen Henry heterosexual homosexual homosocial Horatio husband identity John Kent King Lear language Lear's literary London lover male bonds manly marriage masculinity ment Merchant of Venice Merry Wives nature Noble Kinsmen Palamon Pandarus petty treason play's plot political Press prince Proteus Regan relationship Renaissance Rosencrantz same-sex says scene seems sense sexual Shake Shakespeare Shakespeare's play social sources speak speare speare's speech stage storm story suggests thee theme Thersites thou Timon tion tragedy Troilus and Cressida Troilus's Trojan Troy Twelfth Night Valentine wife Wives of Windsor woman women words York