Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 83Gale Research Company, 1984 |
De dentro do livro
Resultados 1-3 de 92
Página 102
... play contains an explicit message of hope and redemption . King Lear was not popular on the stage in Shakespeare's day . For more than a century an alternative version of the play , with a more optimistic ending , was performed in its ...
... play contains an explicit message of hope and redemption . King Lear was not popular on the stage in Shakespeare's day . For more than a century an alternative version of the play , with a more optimistic ending , was performed in its ...
Página 122
... play as play - as an event in the lives of its audience - is analogous to the events it describes . Many commentators have observed that Lear presents the love auction in scene 1 as a theatrical pageant , a ceremonial enactment of ...
... play as play - as an event in the lives of its audience - is analogous to the events it describes . Many commentators have observed that Lear presents the love auction in scene 1 as a theatrical pageant , a ceremonial enactment of ...
Página 126
... play as either ascending or descending fortune's great wheel ; in keeping with this idea the costuming , designed by Christine Turbitt , is either simplified , stripped , or made more ornate as the play's action unfolds . The designs ...
... play as either ascending or descending fortune's great wheel ; in keeping with this idea the costuming , designed by Christine Turbitt , is either simplified , stripped , or made more ornate as the play's action unfolds . The designs ...
Conteúdo
Cumulative Character Index | 355 |
Cumulative Topic Index | 367 |
Cumulative Topic Index by Play | 391 |
Direitos autorais | |
2 outras seções não mostradas
Outras edições - Ver todos
Termos e frases comuns
abuse Achilles appears Arcite audience Bassanio becomes Brutus Cambridge catastrophe characters Christian comedy comic Cordelia critics daughter death desire Diomedes disguise dramatic Edgar Edmund effeminacy Elizabethan Emilia English erotic essay Falstaff fantasy father feel Fool friends friendship Gentlemen of Verona Gloucester Gloucester's gods Goneril Greek grotesque body Hamlet Hector Helen Henry heterosexual homosexual homosocial Horatio husband identity John Kent King Lear language Lear's literary London lover male bonds manly marriage masculinity ment Merchant of Venice Merry Wives nature Noble Kinsmen Palamon Pandarus petty treason play's plot political Press prince Proteus Regan relationship Renaissance Rosencrantz same-sex says scene seems sense sexual Shake Shakespeare Shakespeare's play social sources speak speare speare's speech stage storm story suggests thee theme Thersites thou Timon tion tragedy Troilus and Cressida Troilus's Trojan Troy Twelfth Night Valentine wife Wives of Windsor woman women words York