Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 83Gale Research Company, 1984 |
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Página 64
... lines may be indebted to all of them : His fourth line , for example ( ' Whether love lead fortune , or else fortune love ' ) , is very close in idea and rhetorical form to Cicero's ' Non igitur utilitatem amicitia , sed utilitas ...
... lines may be indebted to all of them : His fourth line , for example ( ' Whether love lead fortune , or else fortune love ' ) , is very close in idea and rhetorical form to Cicero's ' Non igitur utilitatem amicitia , sed utilitas ...
Página 176
... lines added to 3.1 in the Folio text of 1623 ; they replace lines in the Quarto text of 1608 and were appar- ently added by a theatrical reviser , perhaps Shakespeare , perhaps someone else . At this point in the Quarto , Kent is ...
... lines added to 3.1 in the Folio text of 1623 ; they replace lines in the Quarto text of 1608 and were appar- ently added by a theatrical reviser , perhaps Shakespeare , perhaps someone else . At this point in the Quarto , Kent is ...
Página 177
... lines later . In the Folio a period marks a sentence break between " course " and " And " in line 168 , but in the Quarto there is only a comma , which makes a mere parenthesis of " Who hath . . . course " and allows the sentence to ...
... lines later . In the Folio a period marks a sentence break between " course " and " And " in line 168 , but in the Quarto there is only a comma , which makes a mere parenthesis of " Who hath . . . course " and allows the sentence to ...
Conteúdo
Cumulative Character Index | 355 |
Cumulative Topic Index | 367 |
Cumulative Topic Index by Play | 391 |
Direitos autorais | |
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abuse Achilles appears Arcite audience Bassanio becomes Brutus Cambridge catastrophe characters Christian comedy comic Cordelia critics daughter death desire Diomedes disguise dramatic Edgar Edmund effeminacy Elizabethan Emilia English erotic essay Falstaff fantasy father feel Fool friends friendship Gentlemen of Verona Gloucester Gloucester's gods Goneril Greek grotesque body Hamlet Hector Helen Henry heterosexual homosexual homosocial Horatio husband identity John Kent King Lear language Lear's literary London lover male bonds manly marriage masculinity ment Merchant of Venice Merry Wives nature Noble Kinsmen Palamon Pandarus petty treason play's plot political Press prince Proteus Regan relationship Renaissance Rosencrantz same-sex says scene seems sense sexual Shake Shakespeare Shakespeare's play social sources speak speare speare's speech stage storm story suggests thee theme Thersites thou Timon tion tragedy Troilus and Cressida Troilus's Trojan Troy Twelfth Night Valentine wife Wives of Windsor woman women words York