Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 83Gale Research Company, 1984 |
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Página 171
... final icon points forward to the resurrected daughters who are the torchbearers of redemption in the romances . The fathers in Pericles , Cymbeline , and The Winter's Tale weep in contrition over daughters who are alive , in this world ...
... final icon points forward to the resurrected daughters who are the torchbearers of redemption in the romances . The fathers in Pericles , Cymbeline , and The Winter's Tale weep in contrition over daughters who are alive , in this world ...
Página 173
... final sequence , begin- ning with Lear's howls and culminating in his death , may well compose the most powerful image of the play . The death of Cordelia , who earlier exchanged love and forgiveness with her father , astonishes even a ...
... final sequence , begin- ning with Lear's howls and culminating in his death , may well compose the most powerful image of the play . The death of Cordelia , who earlier exchanged love and forgiveness with her father , astonishes even a ...
Página 312
... final speech expresses shame and regret , and tells us that at least some of her reluctance with Diomed was not an act . She bids a sad ' farewell ' to Troilus and admits that ' One eye yet looks on thee ' . The rest of her speech ...
... final speech expresses shame and regret , and tells us that at least some of her reluctance with Diomed was not an act . She bids a sad ' farewell ' to Troilus and admits that ' One eye yet looks on thee ' . The rest of her speech ...
Conteúdo
Cumulative Character Index | 355 |
Cumulative Topic Index | 367 |
Cumulative Topic Index by Play | 391 |
Direitos autorais | |
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abuse Achilles appears Arcite audience Bassanio becomes Brutus Cambridge catastrophe characters Christian comedy comic Cordelia critics daughter death desire Diomedes disguise dramatic Edgar Edmund effeminacy Elizabethan Emilia English erotic essay Falstaff fantasy father feel Fool friends friendship Gentlemen of Verona Gloucester Gloucester's gods Goneril Greek grotesque body Hamlet Hector Helen Henry heterosexual homosexual homosocial Horatio husband identity John Kent King Lear language Lear's literary London lover male bonds manly marriage masculinity ment Merchant of Venice Merry Wives nature Noble Kinsmen Palamon Pandarus petty treason play's plot political Press prince Proteus Regan relationship Renaissance Rosencrantz same-sex says scene seems sense sexual Shake Shakespeare Shakespeare's play social sources speak speare speare's speech stage storm story suggests thee theme Thersites thou Timon tion tragedy Troilus and Cressida Troilus's Trojan Troy Twelfth Night Valentine wife Wives of Windsor woman women words York