Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 83Gale Research Company, 1984 |
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Página 293
... abuse . Cressida consequently behaves as do most abused women : she submits . First , a word about methodology . Any discussion of abuse and of abused figures necessarily takes us spelunking in the cave of character as we consider ...
... abuse . Cressida consequently behaves as do most abused women : she submits . First , a word about methodology . Any discussion of abuse and of abused figures necessarily takes us spelunking in the cave of character as we consider ...
Página 294
... abuse in those two arenas in which foul play is traditionally deemed fair : love and war . My approach is juxtaposi- tional , setting twentieth - century psychological research about spousal abuse in dialogue with early modern drama ...
... abuse in those two arenas in which foul play is traditionally deemed fair : love and war . My approach is juxtaposi- tional , setting twentieth - century psychological research about spousal abuse in dialogue with early modern drama ...
Página 295
... abuse usually takes place in private so that the outside world sees the abuser the way he sees himself : as a decent man . Since the object of verbal abuse is to release the abuser's sense of helplessness by asserting control , it is ...
... abuse usually takes place in private so that the outside world sees the abuser the way he sees himself : as a decent man . Since the object of verbal abuse is to release the abuser's sense of helplessness by asserting control , it is ...
Conteúdo
Cumulative Character Index | 355 |
Cumulative Topic Index | 367 |
Cumulative Topic Index by Play | 391 |
Direitos autorais | |
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abuse Achilles appears Arcite audience Bassanio becomes Brutus Cambridge catastrophe characters Christian comedy comic Cordelia critics daughter death desire Diomedes disguise dramatic Edgar Edmund effeminacy Elizabethan Emilia English erotic essay Falstaff fantasy father feel Fool friends friendship Gentlemen of Verona Gloucester Gloucester's gods Goneril Greek grotesque body Hamlet Hector Helen Henry heterosexual homosexual homosocial Horatio husband identity John Kent King Lear language Lear's literary London lover male bonds manly marriage masculinity ment Merchant of Venice Merry Wives nature Noble Kinsmen Palamon Pandarus petty treason play's plot political Press prince Proteus Regan relationship Renaissance Rosencrantz same-sex says scene seems sense sexual Shake Shakespeare Shakespeare's play social sources speak speare speare's speech stage storm story suggests thee theme Thersites thou Timon tion tragedy Troilus and Cressida Troilus's Trojan Troy Twelfth Night Valentine wife Wives of Windsor woman women words York