Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 83Gale Research Company, 1984 |
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Seite 289
... Pandarus spends a great deal of time extolling Troilus to Cressida . In a soliloquy Cressida confesses that she sees more in Troilus than Pandarus could ever describe . The issue is not one of degree of love or admiration but of a ...
... Pandarus spends a great deal of time extolling Troilus to Cressida . In a soliloquy Cressida confesses that she sees more in Troilus than Pandarus could ever describe . The issue is not one of degree of love or admiration but of a ...
Seite 310
... Pandarus leaves the stage and she has made her parting comment on him ( ' you are a bawd ' ) . Cressida begins with four strong stresses , ' Words , vows , gifts , tears , ' which give startling emphasis to her oration . Then her speech ...
... Pandarus leaves the stage and she has made her parting comment on him ( ' you are a bawd ' ) . Cressida begins with four strong stresses , ' Words , vows , gifts , tears , ' which give startling emphasis to her oration . Then her speech ...
Seite 330
... Pandarus's presentation of him and heightens the disjunction between his already divulged lapse from manliness and Pandarus's attempts to recuperate his valor ( and his value within the masculine signifying economy ) through rhetorical ...
... Pandarus's presentation of him and heightens the disjunction between his already divulged lapse from manliness and Pandarus's attempts to recuperate his valor ( and his value within the masculine signifying economy ) through rhetorical ...
Inhalt
Cumulative Character Index | 355 |
Cumulative Topic Index | 367 |
Cumulative Topic Index by Play | 391 |
Urheberrecht | |
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abuse Achilles appears Arcite audience Bassanio becomes Brutus Cambridge catastrophe characters Christian comedy comic Cordelia critics daughter death desire Diomedes disguise dramatic Edgar Edmund effeminacy Elizabethan Emilia English erotic essay Falstaff fantasy father feel Fool friends friendship Gentlemen of Verona Gloucester Gloucester's gods Goneril Greek grotesque body Hamlet Hector Helen Henry heterosexual homosexual homosocial Horatio husband identity John Kent King Lear language Lear's literary London lover male bonds manly marriage masculinity ment Merchant of Venice Merry Wives nature Noble Kinsmen Palamon Pandarus petty treason play's plot political Press prince Proteus Regan relationship Renaissance Rosencrantz same-sex says scene seems sense sexual Shake Shakespeare Shakespeare's play social sources speak speare speare's speech stage storm story suggests thee theme Thersites thou Timon tion tragedy Troilus and Cressida Troilus's Trojan Troy Twelfth Night Valentine wife Wives of Windsor woman women words York