Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 83Gale Research Company, 1984 |
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Página 112
... Gloucester is here disposing of Edmund's future , not merely com- menting on his past . It is important to realize exactly what is happening . Gloucester's introduction leads Kent to expect to see something of Edmund in the normal ...
... Gloucester is here disposing of Edmund's future , not merely com- menting on his past . It is important to realize exactly what is happening . Gloucester's introduction leads Kent to expect to see something of Edmund in the normal ...
Página 135
... Gloucester achieve something positive in the course of the play , either a moral regeneration , or an intellectual enlighten- ment of some kind . But it does not seem to me that anyone really achieves anything very significant in the ...
... Gloucester achieve something positive in the course of the play , either a moral regeneration , or an intellectual enlighten- ment of some kind . But it does not seem to me that anyone really achieves anything very significant in the ...
Página 167
... Gloucester is dragged to a chair : " To this chair bind him " ; " Fellows , hold the chair " ( ll . 34 , 66 ) . The first torturer , while striking Christ , says , " Godys forbot ye lefe , bot set in youre nayles / On raw . " " With ...
... Gloucester is dragged to a chair : " To this chair bind him " ; " Fellows , hold the chair " ( ll . 34 , 66 ) . The first torturer , while striking Christ , says , " Godys forbot ye lefe , bot set in youre nayles / On raw . " " With ...
Conteúdo
Cumulative Character Index | 355 |
Cumulative Topic Index | 367 |
Cumulative Topic Index by Play | 391 |
Direitos autorais | |
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abuse Achilles appears Arcite audience Bassanio becomes Brutus Cambridge catastrophe characters Christian comedy comic Cordelia critics daughter death desire Diomedes disguise dramatic Edgar Edmund effeminacy Elizabethan Emilia English erotic essay Falstaff fantasy father feel Fool friends friendship Gentlemen of Verona Gloucester Gloucester's gods Goneril Greek grotesque body Hamlet Hector Helen Henry heterosexual homosexual homosocial Horatio husband identity John Kent King Lear language Lear's literary London lover male bonds manly marriage masculinity ment Merchant of Venice Merry Wives nature Noble Kinsmen Palamon Pandarus petty treason play's plot political Press prince Proteus Regan relationship Renaissance Rosencrantz same-sex says scene seems sense sexual Shake Shakespeare Shakespeare's play social sources speak speare speare's speech stage storm story suggests thee theme Thersites thou Timon tion tragedy Troilus and Cressida Troilus's Trojan Troy Twelfth Night Valentine wife Wives of Windsor woman women words York