Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 83Gale Research Company, 1984 |
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Página 169
... Cordelia should not die of despair ( in the source stories she ultimately kills herself , an action incompatible with the pure spirituality of Shakespeare's Cordelia ) . " If we ignore the Christian reference , her death is indeed un ...
... Cordelia should not die of despair ( in the source stories she ultimately kills herself , an action incompatible with the pure spirituality of Shakespeare's Cordelia ) . " If we ignore the Christian reference , her death is indeed un ...
Página 177
... Cordelia but Kent : " I [ Kent ] know ' tis from Cordelia ( Who ... course ) and [ I , Kent , ] shall find time " to remedy losses . Many editors have so understood and punctuated the lines , giving a very different meaning from that in ...
... Cordelia but Kent : " I [ Kent ] know ' tis from Cordelia ( Who ... course ) and [ I , Kent , ] shall find time " to remedy losses . Many editors have so understood and punctuated the lines , giving a very different meaning from that in ...
Página 179
... Cordelia to lead , or at least to accompany , a French army that lands in Eng- land and fights against the armies of Goneril and Regan . The second difficulty is Cordelia's speech in 4.4 , where , at our first view of her since her ...
... Cordelia to lead , or at least to accompany , a French army that lands in Eng- land and fights against the armies of Goneril and Regan . The second difficulty is Cordelia's speech in 4.4 , where , at our first view of her since her ...
Conteúdo
Cumulative Character Index | 355 |
Cumulative Topic Index | 367 |
Cumulative Topic Index by Play | 391 |
Direitos autorais | |
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abuse Achilles appears Arcite audience Bassanio becomes Brutus Cambridge catastrophe characters Christian comedy comic Cordelia critics daughter death desire Diomedes disguise dramatic Edgar Edmund effeminacy Elizabethan Emilia English erotic essay Falstaff fantasy father feel Fool friends friendship Gentlemen of Verona Gloucester Gloucester's gods Goneril Greek grotesque body Hamlet Hector Helen Henry heterosexual homosexual homosocial Horatio husband identity John Kent King Lear language Lear's literary London lover male bonds manly marriage masculinity ment Merchant of Venice Merry Wives nature Noble Kinsmen Palamon Pandarus petty treason play's plot political Press prince Proteus Regan relationship Renaissance Rosencrantz same-sex says scene seems sense sexual Shake Shakespeare Shakespeare's play social sources speak speare speare's speech stage storm story suggests thee theme Thersites thou Timon tion tragedy Troilus and Cressida Troilus's Trojan Troy Twelfth Night Valentine wife Wives of Windsor woman women words York