Languages of Art: An Approach to a Theory of Symbols

aesthetic difference aesthetic experience allographic ambiguous analog antecedent classification anticipated emotion apply articulate atomic autographic belong character coextensive cognitive color compliants comply compound constitutive correlated curves dance Dance Notation denotation dense set densely ordered depends diagram different compliance-classes disjoint and differentiated distinguish emotions example expression field of reference finite differentiation forgery function given grammatical mood instance Labanotation labels lexicographical ordering literal mark matter Max Black means Meergeren merely looking metaphorical metaphorical application musical notation nonaesthetic notational language notational scheme notational system notationality numerals object ordinary painting perception performance phorical pictorial properties picture predicate printmaking problem question realm redundancy Rembrandt representation represents Roger Sessions sample script semantic differentiation semantic disjointness semantic requirements semantically dense sketch sort specific symbol scheme symbol systems syntactic syntactically and semantically syntactically dense theoretically things tion true copy ture utterances and inscriptions verbal work-preservation