Poetics of the Text: Essays to Celebrate Twenty Years of the Neo-Formalist CircleRodopi, 1992 - 213 páginas |
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Página xi
... effects , as in the lives of Gogol , the Slavophile thinkers and Tolstoy . The following two papers are also based on dichotomies . First , Radosvet Kolarov examines the theoretical parameters which create the interrelationship between ...
... effects , as in the lives of Gogol , the Slavophile thinkers and Tolstoy . The following two papers are also based on dichotomies . First , Radosvet Kolarov examines the theoretical parameters which create the interrelationship between ...
Página 4
... effect of the code and of the generic mark . By investing itself with genre , a text disinvests itself . 15 Thus , whilst Derrida seeks to undermine generic distinctions in the name of the individuality of the text , Genette , even ...
... effect of the code and of the generic mark . By investing itself with genre , a text disinvests itself . 15 Thus , whilst Derrida seeks to undermine generic distinctions in the name of the individuality of the text , Genette , even ...
Página 9
... a multitude of examples ( though not necessarily literary ) , can by summarized by the five components of the following question : ' WHO SAYS WHAT IN WHICH CHANNEL TO WHOM WITH WHAT EFFECT ? ' Thus , Genre and ' Genericity ' 6.
... a multitude of examples ( though not necessarily literary ) , can by summarized by the five components of the following question : ' WHO SAYS WHAT IN WHICH CHANNEL TO WHOM WITH WHAT EFFECT ? ' Thus , Genre and ' Genericity ' 6.
Página 10
... EFFECT ? ' Thus , firstly , generic names may refer to the level of enunciation [ WHO ? ] : whether the emitter of the message is real , fictitious ; whether the enunciative act is serious or pretend [ " ludique ' ] , in an oral or ...
... EFFECT ? ' Thus , firstly , generic names may refer to the level of enunciation [ WHO ? ] : whether the emitter of the message is real , fictitious ; whether the enunciative act is serious or pretend [ " ludique ' ] , in an oral or ...
Página 12
... effects of chronological and cultural distance from the context in which the work has produced destabilize its ' lectorial genericily ' . Thus , " authorial genericity remains linked to the original context , since it is a constant ...
... effects of chronological and cultural distance from the context in which the work has produced destabilize its ' lectorial genericily ' . Thus , " authorial genericity remains linked to the original context , since it is a constant ...
Conteúdo
1 | |
17 | |
IntraIntertextuality | 35 |
A Functional Semiotics for the Visual Arts | 57 |
Its Poetics | 79 |
Narrative Structure | 104 |
Turgenevs Fantastic Tales | 125 |
Reading Love Stories | 138 |
Termos e frases comuns
æsthetic Aleksey's analysis Archaistic artistic Attercliffe Barthes behaviour character classic classic realist Clegg concept constructivist context cultural semiotics discourse discussion dream Egor Elena Esplanadi Essays in Poetics example fantastic fictional INDs fictional world Formalists free motifs function genre Gor'ky's ibid individual intertextual Izmail Joe Andrew language linguistic literary literature London Lotman Manuel Puig mark meaning modal Mother myth narrative narrator narrator's nature Neo-Formalist Circle novel object œuvre ontological original and version paper Petrov plot poems poetry properties Protasov Puig Puig's reader reading reality reference relation relationship religious Rita Hayworth Roland Barthes romance Russian Russian Formalism Russian literature Schaeffer semantic Shishkov Skobtsova Smithton social speech Stephen Dobyns story world structure stylistic Tartu temporal textual thematic Theme theory tradition Turgenev Vasily Petrov verb verbal Virginia Woolf Vyacheslav Ivanov wall women words writing Yakov's Zamyatin's
Passagens mais conhecidas
Página 142 - The pleasure of the text is not the pleasure of the corporeal striptease or of narrative suspense. In these cases, there is no tear, no edges: a gradual unveiling: the entire excitation takes refuge in the hope of seeing the sexual organ (schoolboy's dream) or in knowing the end of the story (novelistic satisfaction).
Página 206 - ... cheeks, and lips like red carnations. A fraud of course, for the people who had this house before us would have chosen pictures in that way — an old picture for an old room. That is the sort of people they were — very interesting people, and I think of them so often, in such queer places, because one will never see them again, never know what happened next. They wanted to leave this house because they wanted to change their style of furniture, so he said, and he was in process of saying that...
Página 149 - If they had swallow'd poison, 'twould appear By external swelling : but she looks like sleep, As she would catch another Antony In her strong toil of grace.
Página 211 - Though it's no good buying newspapers.... Nothing ever happens. Curse this war; God damn this war!... All the same, I don't see why we should have a snail on our wall.
Página vii - And art exists that one may recover the sensation of life; it exists to make one feel things, to make the stone stony. The purpose of art is to impart the sensation of things as they are perceived and not as they are Known. The technique of art is to make objects 'unfamiliar...
Página 182 - It's all according like these youths and that if they get into these gangs and that they most have a bit of a lark around and say it goes wrong and that and they probably knock someone off I mean think they just do it to be big getting publicity here and there.