Poetics of the Text: Essays to Celebrate Twenty Years of the Neo-Formalist CircleRodopi, 1992 - 213 páginas |
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Página iii
... Tartu , one of the main sources of inspiration for the Neo - Formalist Circle , provided me ( and I trust others ) with particular satisfaction . The Neo - Formalist Circle has , then , been able to celebrate twenty years of its ...
... Tartu , one of the main sources of inspiration for the Neo - Formalist Circle , provided me ( and I trust others ) with particular satisfaction . The Neo - Formalist Circle has , then , been able to celebrate twenty years of its ...
Página iv
... Tartu school ) to a British audience . ( This latter strand was to be further developed in a paper given to the Circle's second meeting , later the same year , by another of the prime movers in our early years , Ann Shukman , who ...
... Tartu school ) to a British audience . ( This latter strand was to be further developed in a paper given to the Circle's second meeting , later the same year , by another of the prime movers in our early years , Ann Shukman , who ...
Página vii
... Tartu school , in particular , has been a red thread in our debates , from Ann Shukman's presentation to the second meeting , to which I have already referred , going on to Artur Blaim's challenging re - INTRODUCTION TK vii.
... Tartu school , in particular , has been a red thread in our debates , from Ann Shukman's presentation to the second meeting , to which I have already referred , going on to Artur Blaim's challenging re - INTRODUCTION TK vii.
Página x
... Tartu school in his piece , ' Constructivist Aspects of Cultural Semiotics ' . Blaim commences by suggesting that cultural semiotics , which emerged from structural literary studies , is usually thought of as a text - ontological ...
... Tartu school in his piece , ' Constructivist Aspects of Cultural Semiotics ' . Blaim commences by suggesting that cultural semiotics , which emerged from structural literary studies , is usually thought of as a text - ontological ...
Página xiii
... Tartu school here is Evgeny Bershtein's consideration of the 18th century solemn ode , particularly the somewhat neglected work of Vasily Petrov . The solemn ode , Bershtein remarks , is one of the main genres of 18th century Russian ...
... Tartu school here is Evgeny Bershtein's consideration of the 18th century solemn ode , particularly the somewhat neglected work of Vasily Petrov . The solemn ode , Bershtein remarks , is one of the main genres of 18th century Russian ...
Conteúdo
1 | |
17 | |
IntraIntertextuality | 35 |
A Functional Semiotics for the Visual Arts | 57 |
Its Poetics | 79 |
Narrative Structure | 104 |
Turgenevs Fantastic Tales | 125 |
Reading Love Stories | 138 |
Termos e frases comuns
æsthetic Aleksey's analysis Archaistic artistic Attercliffe Barthes behaviour character classic classic realist Clegg concept constructivist context cultural semiotics discourse discussion dream Egor Elena Esplanadi Essays in Poetics example fantastic fictional INDs fictional world Formalists free motifs function genre Gor'ky's ibid individual intertextual Izmail Joe Andrew language linguistic literary literature London Lotman Manuel Puig mark meaning modal Mother myth narrative narrator narrator's nature Neo-Formalist Circle novel object œuvre ontological original and version paper Petrov plot poems poetry properties Protasov Puig Puig's reader reading reality reference relation relationship religious Rita Hayworth Roland Barthes romance Russian Russian Formalism Russian literature Schaeffer semantic Shishkov Skobtsova Smithton social speech Stephen Dobyns story world structure stylistic Tartu temporal textual thematic Theme theory tradition Turgenev Vasily Petrov verb verbal Virginia Woolf Vyacheslav Ivanov wall women words writing Yakov's Zamyatin's
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Página 142 - The pleasure of the text is not the pleasure of the corporeal striptease or of narrative suspense. In these cases, there is no tear, no edges: a gradual unveiling: the entire excitation takes refuge in the hope of seeing the sexual organ (schoolboy's dream) or in knowing the end of the story (novelistic satisfaction).
Página 206 - ... cheeks, and lips like red carnations. A fraud of course, for the people who had this house before us would have chosen pictures in that way — an old picture for an old room. That is the sort of people they were — very interesting people, and I think of them so often, in such queer places, because one will never see them again, never know what happened next. They wanted to leave this house because they wanted to change their style of furniture, so he said, and he was in process of saying that...
Página 149 - If they had swallow'd poison, 'twould appear By external swelling : but she looks like sleep, As she would catch another Antony In her strong toil of grace.
Página 211 - Though it's no good buying newspapers.... Nothing ever happens. Curse this war; God damn this war!... All the same, I don't see why we should have a snail on our wall.
Página vii - And art exists that one may recover the sensation of life; it exists to make one feel things, to make the stone stony. The purpose of art is to impart the sensation of things as they are perceived and not as they are Known. The technique of art is to make objects 'unfamiliar...
Página 182 - It's all according like these youths and that if they get into these gangs and that they most have a bit of a lark around and say it goes wrong and that and they probably knock someone off I mean think they just do it to be big getting publicity here and there.