Shakespeare's Poetic Styles: Verse into DramaRoutledge, 11.10.2013 - 272 Seiten First published in 1980. At their most successful, Shakespeare's styles are strategies to make plain the limits of thought and feeling which define the significance of human actions. John Baxter analyses the way in which these limits are reached, and also provides a strong argument for the idea that the power of Shakespearean drama depends upon the co-operation of poetic style and dramatic form. Three plays are examined in detail in the text: The Tragedy of Mustapha by Fulke Greville and Richard II and Macbeth by Shakespeare. |
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... II III IV V Focus on Macbeth VI The Shakespeare Inset Shakespeare Shakespeare's Dramatic Structures Shakespeare's ... Richard III Clemen IX The Development of Shakespeare's Imagery Clemen X Shakespeare Duthie XI XII Shakespeare and the ...
... II III IV V Focus on Macbeth VI The Shakespeare Inset Shakespeare Shakespeare's Dramatic Structures Shakespeare's ... Richard III Clemen IX The Development of Shakespeare's Imagery Clemen X Shakespeare Duthie XI XII Shakespeare and the ...
Seite
... Richard II . 46 4 The standard : the moral and the golden . 56 5 The standard : the metaphysical and the Shakespearean 77 6 Reductions : style and the character of Bolingbroke 106 7 Deflections : style and the character of Richard 114 8 ...
... Richard II . 46 4 The standard : the moral and the golden . 56 5 The standard : the metaphysical and the Shakespearean 77 6 Reductions : style and the character of Bolingbroke 106 7 Deflections : style and the character of Richard 114 8 ...
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... Richard the Second and The Tragedy of Macbeth , are particularly well - suited to this study . Richard II is one of the few plays of Shakespeare that is composed entirely of verse , and it was probably written during the period that saw ...
... Richard the Second and The Tragedy of Macbeth , are particularly well - suited to this study . Richard II is one of the few plays of Shakespeare that is composed entirely of verse , and it was probably written during the period that saw ...
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... Richard II or that Greville feared might be construed ( or misconstrued ) from his own Antonie and Cleopatra . 16 His moral preoccupation is something that must hold itself aloof from both the Marlovian attempt at the amoral ...
... Richard II or that Greville feared might be construed ( or misconstrued ) from his own Antonie and Cleopatra . 16 His moral preoccupation is something that must hold itself aloof from both the Marlovian attempt at the amoral ...
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Inhalt
7 | |
Tragedy and history in Richard II | 46 |
the moral and the golden | 56 |
the metaphysical and | 77 |
style and the character | 106 |
style and the character | 114 |
Tragic doings political order | 144 |
bombast and wonder | 168 |
style and form | 196 |
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Häufige Begriffe und Wortgruppen
achieve action analysis appear appropriate attempt beginning Bolingbroke calls cause character claims clear clearly close couplet critical death despite drama earth effect Elizabethan emotional England English especially essentially example experience expression fact fear feeling figure finally Gaunt give golden style Greville hand human idea imagery images imagination imitation important individual intention John kind king language least less live London Macbeth matter means metaphysical mind moral murder Mustapha nature offers once opening passage plain style play poem poetic poetry political possible present problem question reality reason reference remarks represented rhetoric Richard Richard II scene seems sense Shakespeare simply soliloquy speak speech suggests things thou thought tion traditional tragedy tragic true truth understanding University Press verse whole Winters wonder York