Shakespeare's Poetic Styles: Verse into DramaRoutledge, 11.10.2013 - 272 Seiten First published in 1980. At their most successful, Shakespeare's styles are strategies to make plain the limits of thought and feeling which define the significance of human actions. John Baxter analyses the way in which these limits are reached, and also provides a strong argument for the idea that the power of Shakespearean drama depends upon the co-operation of poetic style and dramatic form. Three plays are examined in detail in the text: The Tragedy of Mustapha by Fulke Greville and Richard II and Macbeth by Shakespeare. |
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... into Drama John Baxter. SHAKESPEARE'S POETIC STYLES Verse into Drama JOHN BAXTER Dalhousie University , Nova Scotia R ROUTLEDGE Routledge Taylor & Francis Group LONDON AND NEW YORK First published in 1980 Reprinted in 2005 by Routledge 2.
... into Drama John Baxter. SHAKESPEARE'S POETIC STYLES Verse into Drama JOHN BAXTER Dalhousie University , Nova Scotia R ROUTLEDGE Routledge Taylor & Francis Group LONDON AND NEW YORK First published in 1980 Reprinted in 2005 by Routledge 2.
Titelseite
Verse into Drama John Baxter. Shakespeare's poetic styles VERSE INTO DRAMA John Baxter Routledge & Kegan Paul LONDON , BOSTON AND HENLEY First published in 1980 by Routledge & Kegan Paul Ltd.
Verse into Drama John Baxter. Shakespeare's poetic styles VERSE INTO DRAMA John Baxter Routledge & Kegan Paul LONDON , BOSTON AND HENLEY First published in 1980 by Routledge & Kegan Paul Ltd.
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... London WC1E 7DD , 9 Park Street , Boston , Mass . 02108 , USA and Broadway House , Newtown Road , Henley - on - Thames , Oxon RG9 1EN Set in 11/12 IBM Journal by Academic Typesetting , Gerrards Cross , Bucks and printed in the USA by ...
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Inhalt
7 | |
Tragedy and history in Richard II | 46 |
the moral and the golden | 56 |
the metaphysical and | 77 |
style and the character | 106 |
style and the character | 114 |
Tragic doings political order | 144 |
bombast and wonder | 168 |
style and form | 196 |
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Häufige Begriffe und Wortgruppen
achieve action analysis appear appropriate attempt beginning Bolingbroke calls cause character claims clear clearly close couplet critical death despite drama earth effect Elizabethan emotional England English especially essentially example experience expression fact fear feeling figure finally Gaunt give golden style Greville hand human idea imagery images imagination imitation important individual intention John kind king language least less live London Macbeth matter means metaphysical mind moral murder Mustapha nature offers once opening passage plain style play poem poetic poetry political possible present problem question reality reason reference remarks represented rhetoric Richard Richard II scene seems sense Shakespeare simply soliloquy speak speech suggests things thou thought tion traditional tragedy tragic true truth understanding University Press verse whole Winters wonder York