English Institute EssaysColumbia University Press, 1957 |
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Página 30
... writer Lilly , that peculiarly Laurentian version of the God - given Great Man . Here we reach the twilight zone between reasoned discussion of a critical problem and the expression of idiosyncrasy , and it is important not to let ...
... writer Lilly , that peculiarly Laurentian version of the God - given Great Man . Here we reach the twilight zone between reasoned discussion of a critical problem and the expression of idiosyncrasy , and it is important not to let ...
Página 124
... writer worth our consideration , every writer who can be called in the wide eighteenth - century use of the term a poet , is a victim : a man given to an obsession , " 31 or to what he sometimes calls a “ ruling passion . " And I take ...
... writer worth our consideration , every writer who can be called in the wide eighteenth - century use of the term a poet , is a victim : a man given to an obsession , " 31 or to what he sometimes calls a “ ruling passion . " And I take ...
Página 125
... writer to engage in a great deal of abstract thinking before that process can even be initiated . But this I do not think is true at all . I do not , of course , want to associate myself with that tendency in modern literary theory ...
... writer to engage in a great deal of abstract thinking before that process can even be initiated . But this I do not think is true at all . I do not , of course , want to associate myself with that tendency in modern literary theory ...
Conteúdo
Foreword | 1 |
Tradition and Experience | 31 |
Implications of an Organic Theory of Poetry | 53 |
Direitos autorais | |
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achieved actors aesthetic Allen Tate artist autonomy belief as faith belief as opinion character Christian Cleanth Brooks coherence communication concern contemporary context course creative culture Dante Dante's disbelief Divine Divine Comedy doctrine Donne's dramatic emotional essay ethical existence experience fact feel function human Hunter College I. A. Richards Ibid Ideas of Order imagination insists kind King Lear knowledge language Lear literary art Literature and Belief living London M. H. ABRAMS mask meaning meditation ment Milton mind moral Murray Krieger nature object person philosophical play poem poet poet's poetic truth poetry presents problem of belief Queens College question Ransom reader reality religion religious response Richards's role seems sense Shakespeare speak speaker statement Stevens Stevens's structure T. S. Eliot theory thing thou thought tion vision Vivas voice W. B. Yeats W. K. Wimsatt Wallace Stevens William words writer Yeats York Yvor Winters