English Institute EssaysColumbia University Press, 1957 |
De dentro do livro
Resultados 1-3 de 33
Página 94
... voice which invokes us as present and evokes our response is in way more a pure or self - subsistent voice because of the " objective " quality of the literary work as such , its detachment from the poet , who , as an individual , is ...
... voice which invokes us as present and evokes our response is in way more a pure or self - subsistent voice because of the " objective " quality of the literary work as such , its detachment from the poet , who , as an individual , is ...
Página 95
... voice . Voice is the least exterior of sensible phenomena because it emanates not only from the physical but also from the divided psychological interior of man and penetrates to another physical and psychological interior where , as we ...
... voice . Voice is the least exterior of sensible phenomena because it emanates not only from the physical but also from the divided psychological interior of man and penetrates to another physical and psychological interior where , as we ...
Página 96
... voice , of itself the mask is not vocal , but a medium manifest in space . It does not modify the voice of the character ( presence , person ) as the mute modifies the sound on a violin . Even though masks may occasionally affect voice ...
... voice , of itself the mask is not vocal , but a medium manifest in space . It does not modify the voice of the character ( presence , person ) as the mute modifies the sound on a violin . Even though masks may occasionally affect voice ...
Conteúdo
Foreword | 1 |
Tradition and Experience | 31 |
Implications of an Organic Theory of Poetry | 53 |
Direitos autorais | |
4 outras seções não mostradas
Outras edições - Ver todos
Termos e frases comuns
achieved actors aesthetic Allen Tate artist autonomy belief as faith belief as opinion character Christian Cleanth Brooks coherence communication concern contemporary context course creative culture Dante Dante's disbelief Divine Divine Comedy doctrine Donne's dramatic emotional essay ethical existence experience fact feel function human Hunter College I. A. Richards Ibid Ideas of Order imagination insists kind King Lear knowledge language Lear literary art Literature and Belief living London M. H. ABRAMS mask meaning meditation ment Milton mind moral Murray Krieger nature object person philosophical play poem poet poet's poetic truth poetry presents problem of belief Queens College question Ransom reader reality religion religious response Richards's role seems sense Shakespeare speak speaker statement Stevens Stevens's structure T. S. Eliot theory thing thou thought tion vision Vivas voice W. B. Yeats W. K. Wimsatt Wallace Stevens William words writer Yeats York Yvor Winters