English Institute EssaysColumbia University Press, 1957 |
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Página 36
... understanding of non - Christian writ- ing . We are thinking of the literature , mainly the poetry , of the Christian era , from Dante onward . It is plain that some technical and aesthetic elements lie outside the question ; we cannot ...
... understanding of non - Christian writ- ing . We are thinking of the literature , mainly the poetry , of the Christian era , from Dante onward . It is plain that some technical and aesthetic elements lie outside the question ; we cannot ...
Página 37
bornly secular reader can hardly fail there in understanding or even in imaginative and emotional response ( though a student did once raise a query about the geological formation of coal ) . Nor , to take a less simple case , can one ...
bornly secular reader can hardly fail there in understanding or even in imaginative and emotional response ( though a student did once raise a query about the geological formation of coal ) . Nor , to take a less simple case , can one ...
Página 118
... understanding of the creative process that has been pro- moted in our time , for here , I think , we may get as good a pur- chase as any other upon our present dilemmas . And when this aspect of modern theory is examined it becomes ...
... understanding of the creative process that has been pro- moted in our time , for here , I think , we may get as good a pur- chase as any other upon our present dilemmas . And when this aspect of modern theory is examined it becomes ...
Conteúdo
Foreword | 1 |
Tradition and Experience | 31 |
Implications of an Organic Theory of Poetry | 53 |
Direitos autorais | |
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achieved actors aesthetic Allen Tate artist autonomy belief as faith belief as opinion character Christian Cleanth Brooks coherence communication concern contemporary context course creative culture Dante Dante's disbelief Divine Divine Comedy doctrine Donne's dramatic emotional essay ethical existence experience fact feel function human Hunter College I. A. Richards Ibid Ideas of Order imagination insists kind King Lear knowledge language Lear literary art Literature and Belief living London M. H. ABRAMS mask meaning meditation ment Milton mind moral Murray Krieger nature object person philosophical play poem poet poet's poetic truth poetry presents problem of belief Queens College question Ransom reader reality religion religious response Richards's role seems sense Shakespeare speak speaker statement Stevens Stevens's structure T. S. Eliot theory thing thou thought tion vision Vivas voice W. B. Yeats W. K. Wimsatt Wallace Stevens William words writer Yeats York Yvor Winters