English Institute EssaysColumbia University Press, 1957 |
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Página 6
... reality or of its emotive and moral effects on the reader . This concept also originated as a defensive tactic , this time against the demand that the materials of poetry be limited to the objects and possibilities of the empirical ...
... reality or of its emotive and moral effects on the reader . This concept also originated as a defensive tactic , this time against the demand that the materials of poetry be limited to the objects and possibilities of the empirical ...
Página 71
... reality itself -I should be the first to acknowledge . But the correspondence to reality that a poem achieves is mediated through its special kind of structure . And that fact has to be given due weight . The sins committed by the ...
... reality itself -I should be the first to acknowledge . But the correspondence to reality that a poem achieves is mediated through its special kind of structure . And that fact has to be given due weight . The sins committed by the ...
Página 76
... reality , interesting to observe . Let us say that poetry is a kind of reality refracted through sub- jective responses . This refraction itself is an area of reality . Does the refraction tell us something unique and profound about the ...
... reality , interesting to observe . Let us say that poetry is a kind of reality refracted through sub- jective responses . This refraction itself is an area of reality . Does the refraction tell us something unique and profound about the ...
Conteúdo
Foreword | 1 |
Tradition and Experience | 31 |
Implications of an Organic Theory of Poetry | 53 |
Direitos autorais | |
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achieved actors aesthetic Allen Tate artist autonomy belief as faith belief as opinion character Christian Cleanth Brooks coherence communication concern contemporary context course creative culture Dante Dante's disbelief Divine Divine Comedy doctrine Donne's dramatic emotional essay ethical existence experience fact feel function human Hunter College I. A. Richards Ibid Ideas of Order imagination insists kind King Lear knowledge language Lear literary art Literature and Belief living London M. H. ABRAMS mask meaning meditation ment Milton mind moral Murray Krieger nature object person philosophical play poem poet poet's poetic truth poetry presents problem of belief Queens College question Ransom reader reality religion religious response Richards's role seems sense Shakespeare speak speaker statement Stevens Stevens's structure T. S. Eliot theory thing thou thought tion vision Vivas voice W. B. Yeats W. K. Wimsatt Wallace Stevens William words writer Yeats York Yvor Winters