English Institute EssaysColumbia University Press, 1957 |
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Página 17
... positions outside the poem , it is his con- stant concern to persuade us to concur with the common - sense and moral positions presupposed by the poem , to take the serious seriously and the comic comically , and to acquiesce in the ...
... positions outside the poem , it is his con- stant concern to persuade us to concur with the common - sense and moral positions presupposed by the poem , to take the serious seriously and the comic comically , and to acquiesce in the ...
Página 68
... position that I am here describing is that unless we make the poem dependent upon propositional truth , it be- comes irrational and incoherent . This is the point of Winters's " fallacy of imitative form " : the victim of this fallacy ...
... position that I am here describing is that unless we make the poem dependent upon propositional truth , it be- comes irrational and incoherent . This is the point of Winters's " fallacy of imitative form " : the victim of this fallacy ...
Página 72
... position very different from our own . If the historian of ideas can point to certain continuities , he does in fact point to a myriad of differences . Indeed , we may be so overawed at the differences that we feel that literary values ...
... position very different from our own . If the historian of ideas can point to certain continuities , he does in fact point to a myriad of differences . Indeed , we may be so overawed at the differences that we feel that literary values ...
Conteúdo
Foreword | 1 |
Tradition and Experience | 31 |
Implications of an Organic Theory of Poetry | 53 |
Direitos autorais | |
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Termos e frases comuns
achieved actors aesthetic Allen Tate artist autonomy belief as faith belief as opinion character Christian Cleanth Brooks coherence communication concern contemporary context course creative culture Dante Dante's disbelief Divine Divine Comedy doctrine Donne's dramatic emotional essay ethical existence experience fact feel function human Hunter College I. A. Richards Ibid Ideas of Order imagination insists kind King Lear knowledge language Lear literary art Literature and Belief living London M. H. ABRAMS mask meaning meditation ment Milton mind moral Murray Krieger nature object person philosophical play poem poet poet's poetic truth poetry presents problem of belief Queens College question Ransom reader reality religion religious response Richards's role seems sense Shakespeare speak speaker statement Stevens Stevens's structure T. S. Eliot theory thing thou thought tion vision Vivas voice W. B. Yeats W. K. Wimsatt Wallace Stevens William words writer Yeats York Yvor Winters