English Institute EssaysColumbia University Press, 1957 |
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Página xii
... poet . It has lost sight of the essential ordering function not only of the poet's artistry , but also of the poet's " vision " of the world , constituted by " his most fundamental beliefs about what is radically significant , " arrived ...
... poet . It has lost sight of the essential ordering function not only of the poet's artistry , but also of the poet's " vision " of the world , constituted by " his most fundamental beliefs about what is radically significant , " arrived ...
Página 114
... poet's vision is not fully formed until it has been objectified in language . Indeed , the executive principle of the creative process is considered really to derive not from the poet's metaphysic or his special perspective upon the ...
... poet's vision is not fully formed until it has been objectified in language . Indeed , the executive principle of the creative process is considered really to derive not from the poet's metaphysic or his special perspective upon the ...
Página 124
... poet , is a victim : a man given to an obsession , " 31 or to what he sometimes calls a “ ruling passion . " And I take it that when he speaks in this way he has in mind the poet's habit of loyalty to some way of seeing things , by ...
... poet , is a victim : a man given to an obsession , " 31 or to what he sometimes calls a “ ruling passion . " And I take it that when he speaks in this way he has in mind the poet's habit of loyalty to some way of seeing things , by ...
Conteúdo
Foreword | 1 |
Tradition and Experience | 31 |
Implications of an Organic Theory of Poetry | 53 |
Direitos autorais | |
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achieved actors aesthetic Allen Tate artist autonomy belief as faith belief as opinion character Christian Cleanth Brooks coherence communication concern contemporary context course creative culture Dante Dante's disbelief Divine Divine Comedy doctrine Donne's dramatic emotional essay ethical existence experience fact feel function human Hunter College I. A. Richards Ibid Ideas of Order imagination insists kind King Lear knowledge language Lear literary art Literature and Belief living London M. H. ABRAMS mask meaning meditation ment Milton mind moral Murray Krieger nature object person philosophical play poem poet poet's poetic truth poetry presents problem of belief Queens College question Ransom reader reality religion religious response Richards's role seems sense Shakespeare speak speaker statement Stevens Stevens's structure T. S. Eliot theory thing thou thought tion vision Vivas voice W. B. Yeats W. K. Wimsatt Wallace Stevens William words writer Yeats York Yvor Winters