English Institute EssaysColumbia University Press, 1957 |
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Página 65
... hand in hand with a humility and self - effacement on the part of the maker . His art became more than an outpouring of personality — or an imposition of his own ideas upon limp and passive materials . Rather the process of composition ...
... hand in hand with a humility and self - effacement on the part of the maker . His art became more than an outpouring of personality — or an imposition of his own ideas upon limp and passive materials . Rather the process of composition ...
Página 72
... Williams , on the other hand , I often find to be quite incredible . Ostensibly they live in our twentieth - century world and hold views of reality that are familiar to many of us , but I have 72 ORGANIC THEORY OF POETRY.
... Williams , on the other hand , I often find to be quite incredible . Ostensibly they live in our twentieth - century world and hold views of reality that are familiar to many of us , but I have 72 ORGANIC THEORY OF POETRY.
Página 117
... hand , it has striven for a concept of literary art that would permit responsible discussion of it as art rather than as something else but , on the other hand , it has succeeded in so com- pletely segregating art from everything else ...
... hand , it has striven for a concept of literary art that would permit responsible discussion of it as art rather than as something else but , on the other hand , it has succeeded in so com- pletely segregating art from everything else ...
Conteúdo
Foreword | 1 |
Tradition and Experience | 31 |
Implications of an Organic Theory of Poetry | 53 |
Direitos autorais | |
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achieved actors aesthetic Allen Tate artist autonomy belief as faith belief as opinion character Christian Cleanth Brooks coherence communication concern contemporary context course creative culture Dante Dante's disbelief Divine Divine Comedy doctrine Donne's dramatic emotional essay ethical existence experience fact feel function human Hunter College I. A. Richards Ibid Ideas of Order imagination insists kind King Lear knowledge language Lear literary art Literature and Belief living London M. H. ABRAMS mask meaning meditation ment Milton mind moral Murray Krieger nature object person philosophical play poem poet poet's poetic truth poetry presents problem of belief Queens College question Ransom reader reality religion religious response Richards's role seems sense Shakespeare speak speaker statement Stevens Stevens's structure T. S. Eliot theory thing thou thought tion vision Vivas voice W. B. Yeats W. K. Wimsatt Wallace Stevens William words writer Yeats York Yvor Winters