English Institute EssaysColumbia University Press, 1957 |
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Página 118
... creative process that has been pro- moted in our time , for here , I think , we may get as good a pur- chase as any other upon our present dilemmas . And when this aspect of modern theory is examined it becomes evident to how great a ...
... creative process that has been pro- moted in our time , for here , I think , we may get as good a pur- chase as any other upon our present dilemmas . And when this aspect of modern theory is examined it becomes evident to how great a ...
Página 121
... creative source . " 22 Then , what is produced is but " a corpse of a work of art - a product of academicism . " 23 " If creative in- tuition is lacking , " he says , “ a work can be perfectly made , and it is nothing ; the artist has ...
... creative source . " 22 Then , what is produced is but " a corpse of a work of art - a product of academicism . " 23 " If creative in- tuition is lacking , " he says , “ a work can be perfectly made , and it is nothing ; the artist has ...
Página 124
... creative writer worth our consideration , every writer who can be called in the wide eighteenth - century use of the term a poet , is a victim : a man given to an obsession , " 31 or to what he sometimes calls a “ ruling passion . " And ...
... creative writer worth our consideration , every writer who can be called in the wide eighteenth - century use of the term a poet , is a victim : a man given to an obsession , " 31 or to what he sometimes calls a “ ruling passion . " And ...
Conteúdo
Foreword | 1 |
Tradition and Experience | 31 |
Implications of an Organic Theory of Poetry | 53 |
Direitos autorais | |
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achieved actors aesthetic Allen Tate artist autonomy belief as faith belief as opinion character Christian Cleanth Brooks coherence communication concern contemporary context course creative culture Dante Dante's disbelief Divine Divine Comedy doctrine Donne's dramatic emotional essay ethical existence experience fact feel function human Hunter College I. A. Richards Ibid Ideas of Order imagination insists kind King Lear knowledge language Lear literary art Literature and Belief living London M. H. ABRAMS mask meaning meditation ment Milton mind moral Murray Krieger nature object person philosophical play poem poet poet's poetic truth poetry presents problem of belief Queens College question Ransom reader reality religion religious response Richards's role seems sense Shakespeare speak speaker statement Stevens Stevens's structure T. S. Eliot theory thing thou thought tion vision Vivas voice W. B. Yeats W. K. Wimsatt Wallace Stevens William words writer Yeats York Yvor Winters