English Institute EssaysColumbia University Press, 1957 |
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Página 107
... contemporary critic is " among the most presentable instances of modern man ” and that in depth and precision his work is “ be- yond all earlier criticism in our language . " And on all sides today we are frequently given similar ...
... contemporary critic is " among the most presentable instances of modern man ” and that in depth and precision his work is “ be- yond all earlier criticism in our language . " And on all sides today we are frequently given similar ...
Página 109
... contemporary effort to specify the nature of the autonomy which a work of literary art possesses has , of course , involved a careful analysis of what is special in the linguistic strategies of the poet . And the aim has been to ...
... contemporary effort to specify the nature of the autonomy which a work of literary art possesses has , of course , involved a careful analysis of what is special in the linguistic strategies of the poet . And the aim has been to ...
Página 110
... contemporary critic has come to see poetic meaning not as a function of the relationships between the terms of the poem and some reality which is extrinsic to them but rather as a function of the interrelationships that knit the terms ...
... contemporary critic has come to see poetic meaning not as a function of the relationships between the terms of the poem and some reality which is extrinsic to them but rather as a function of the interrelationships that knit the terms ...
Conteúdo
Foreword | 1 |
Tradition and Experience | 31 |
Implications of an Organic Theory of Poetry | 53 |
Direitos autorais | |
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achieved actors aesthetic Allen Tate artist autonomy belief as faith belief as opinion character Christian Cleanth Brooks coherence communication concern contemporary context course creative culture Dante Dante's disbelief Divine Divine Comedy doctrine Donne's dramatic emotional essay ethical existence experience fact feel function human Hunter College I. A. Richards Ibid Ideas of Order imagination insists kind King Lear knowledge language Lear literary art Literature and Belief living London M. H. ABRAMS mask meaning meditation ment Milton mind moral Murray Krieger nature object person philosophical play poem poet poet's poetic truth poetry presents problem of belief Queens College question Ransom reader reality religion religious response Richards's role seems sense Shakespeare speak speaker statement Stevens Stevens's structure T. S. Eliot theory thing thou thought tion vision Vivas voice W. B. Yeats W. K. Wimsatt Wallace Stevens William words writer Yeats York Yvor Winters