English Institute EssaysColumbia University Press, 1957 |
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Página 17
... called into play , to what degree , and with what emotional effect . Given a truly impassive reader , all his beliefs suspended or anesthetized , he would be as helpless , in his attempt to endow his work with interest and power , as ...
... called into play , to what degree , and with what emotional effect . Given a truly impassive reader , all his beliefs suspended or anesthetized , he would be as helpless , in his attempt to endow his work with interest and power , as ...
Página 27
... called " a fact of mind . " Ultimately the resolution depends on a shift in the point of view . From the vantage of the " imperial palace " of our origin , the earth is a " prison - house " and the process of aging a cumulative loss ...
... called " a fact of mind . " Ultimately the resolution depends on a shift in the point of view . From the vantage of the " imperial palace " of our origin , the earth is a " prison - house " and the process of aging a cumulative loss ...
Página 104
... called on to believe . We come to the conclusion that any belief that involved in literature is subservient to belief in , that the most basic meaning of belief in literature has to do not with belief in the sense of opinion , which ...
... called on to believe . We come to the conclusion that any belief that involved in literature is subservient to belief in , that the most basic meaning of belief in literature has to do not with belief in the sense of opinion , which ...
Conteúdo
Foreword | 1 |
Tradition and Experience | 31 |
Implications of an Organic Theory of Poetry | 53 |
Direitos autorais | |
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achieved actors aesthetic Allen Tate artist autonomy belief as faith belief as opinion character Christian Cleanth Brooks coherence communication concern contemporary context course creative culture Dante Dante's disbelief Divine Divine Comedy doctrine Donne's dramatic emotional essay ethical existence experience fact feel function human Hunter College I. A. Richards Ibid Ideas of Order imagination insists kind King Lear knowledge language Lear literary art Literature and Belief living London M. H. ABRAMS mask meaning meditation ment Milton mind moral Murray Krieger nature object person philosophical play poem poet poet's poetic truth poetry presents problem of belief Queens College question Ransom reader reality religion religious response Richards's role seems sense Shakespeare speak speaker statement Stevens Stevens's structure T. S. Eliot theory thing thou thought tion vision Vivas voice W. B. Yeats W. K. Wimsatt Wallace Stevens William words writer Yeats York Yvor Winters