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dom, poetry, virtue. We never got it on any dated calendar day. Some heavenly days must have been intercalated somewhere, like those that Hermes won with dice of the Moon, that Osiris might be born. It is said, all martyrdoms looked mean when they were suffered. Every ship is a romantic object, except that we sail in. Embark, and the romance quits our vessel, and hangs on every other sail in the horizon. Our life looks trivial and we shun to record it. Men seem to have learned of the horizon the art of perpetual retreating and reference. “Yonder uplands are rich pasturage, and my neighbor has fertile meadow, but my field,’ says the querulous farmer, “only holds the world together.' I quote another man's saying; unluckily, that other withdraws himself in the same way, and quotes me. 'T is the trick of nature thus to degrade to-day; a good deal of buzz, and somewhere a result slipped magically in. Every roof is agreeable to the eye, until it is lifted; then we find tragedy and moaning women, and hardeyed husbands, and deluges of lethe, and the men ask, ‘What ’s the news?’ as if the old were so bad. How many individuals can we count in society how many actions ! how many opinions ! So much of our time is preparation, so much is routine, and so much retrospect, that the pith of each man's genius contracts itself to a very few hours. The history of literature, — take the net result of Tiraboschi, Warton, or Schlegel, - is a sum of very few ideas, and of very few original tales, – all the rest being variation of these. So, in this great society wide lying around us, a critical analysis would find very few spontaneous actions. It is almost all custom and gross sense. There are even few opinions, and these seem organic in the speakers, and do not disturb the universal necessity.

What opium is instilled into all disaster It shows formidable as we approach it, but there is at last no rough rasping friction, but the most slippery sliding surfaces: we fall soft on a thought : Ante Dea is gentle,

“Over men's heads walking aloft,
With tender feet treading so soft.”

People grieve and bemoan themselves, but it is not half so bad with them as they say. There are moods in which we court suffering, in the hope that here, at least, we shall find reality, sharp peaks and edges of truth. But it turns out to be scene-painting and counterfeit. The only thing grief has taught me, is to know how shallow it is. That, like all the rest, plays about the surface, and never introduces me into the reality, for contact with which, we would even pay the costly price of sons and lovers. Was it Boscovich who found out that bodies never come in contact? Well, souls never touch their objects. An innavigable sea washes with silent waves between us and the things we aim at and converse with. Grief too will make us idealists. In the death of my son, now more than two years ago, I seem to have lost a beautiful estate, – no more. I cannot get it nearer to me. If to-morrow I should be informed of the bankruptcy of my principal debtors, the loss of my property would be a great inconvenience to me, perhaps, for many years; but it would leave me as it found me, – neither better nor worse. So is it with this calamity: it does not touch me ; something which I fancied was a part of me, which could not be torn away without tearing me, nor enlarged without enriching me, falls off from me and leaves no scar. It was caducous. I grieve that grief can teach me nothing, nor carry me one step into real nature. The Indian who was laid under a curse, that the wind should not blow on him, nor water flow to him, nor fire burn him, is a type of us all. The dearest events are summer rain, and we the Para coats that shed every drop. Nothing is left us now but death. We look to that with a grim satisfaction, saying, there at least is reality that will not dodge us.

I take this evanescence and lubricity of all objects, which lets them slip through our fingers then when we clutch hardest, to be the most unhandsome part of our condition. Nature does not like to be observed, and likes that we should be her fools and playmates. We may have the sphere for our cricket-ball, but not a berry for our philosophy. Direct strokes she never gave us power to make ; all our blows glance, all our hits are accidents. Our relations to each other are oblique

and casual.

Dream delivers us to dream, and there is no end to illusion. Life is a train of moods like a string of beads, and, as we pass through them, they prove to be many-colored lenses which paint the world their own hue, and each shows only what lies in its focus. From the mountain you see the mountain. We animate what we can, and we see only what we animate. Nature and books belong to the eyes that see them. It depends on the mood of the man, whether he shall see the sunset or the fine poem. There are always sunsets, and there is always genius; but only a few hours so serene that we can relish nature or criticism. The more or less depends on structure or temperament. Temperament is the iron wire on which the beads are strung. Of what use is fortune or talent to a cold and.defective nature ? Who cares what sensibility or discrimination a man has at sometime shown, if he falls asleep in his chair? or if he laugh and giggle 1 or if he apologize 1 or is infected with egotism! or thinks of his dollar? or cannot pass by food? or has gotten a child in his boyhood? Of what use is genius, if the organ is too convex or too concave, and cannot find a focal distance within the actual horizon of human life? Of what use, if the brain is too cold or too hot,

and the man does not care enough for results, to stimulate him to experiment, and hold him it ! or if the web is too finely woven, too irritable by pleasure and pain, so that life stagnates from too much reception, without due outlet? Of what use to make heroic vows of amendment, if the same old law-breaker is to keep them? What cheer can the religious sentiment yield, when that is suspected to be secretly dependent on the seasons of the year, and the state of the blood? I knew a witty physician who found the creed in the biliary duct, and used to affirm that if there was disease in the liver, the man became a Calvinist, and if that organ was sound, he became a Unitarian. Very mortifying is the reluctant experience that some unfriendly excess or imbecility neutralizes the promise of genius. We see young men who owe us a new world, so readily and lavishly they promise, but they never acquit the debt; they die young and dodge the account: or if they live, they lose themselves in the crowd.

Temperament also enters fully into the system of illusions,

and shuts us in a prison of glass which we cannot see. There is an optical illusion about every person we meet. In truth, they are all creatures of given temperament, which will appear in a given character, whose boundaries they will never pass: but we look at them, they seem alive, and we presume there is impulse in them. In the moment it seems impulse; in the year, in the lifetime, it turns out to be a certain uniform tune which the revolving barrel of the music-box must play. Men resist the conclusion in the morning, but adopt it as the evening wears on, that temper prevails over everything of time, place, and condition, and is inconsumable in the flames of religion. Some modifications the moral sentiment avails to impose, but the individual texture holds its dominion, if not to bias the moral judgments, yet to fix the measure of activity and of enjoyment.

I thus express the law as it is read from the platform of ordinary life, but must not leave it without noticing the capital exception. For temperament is a power which no man willingly hears any one praise but himself. On the platform of physics, we cannot resist the contracting influences of so-called science. Temperament puts all divinity to rout. I know the mental proclivity of physicians. I hear the chuckle of the phrenologists. Theoretic kidnappers and slave-drivers, they esteem each man the victim of another, who winds him round his finger by knowing the law of his being, and by such cheap sign-boards as the color of his beard, or the slope of his occiput, reads the inventory of his fortunes and character. The grossest ignorance does not disgust like this impudent knowingness. The physicians say, they are not materialists: but they are: —Spirit is matter reduced to an extreme thinness: O so thin — But the definition of spiritual should be, that which is its own evidence. What notions do they attach to love what to religion? One would not willingly pronounce these words in their hearing, and give them the occasion to profane them. I saw a gracious gentleman who adapts his conversation to the form of the head of the man he talks with ! I had fancied that the value of life lay in its inscrutable possibilities; in the fact that I never know, in addressing myself to a new individual, what may befall me. I carry the keys of my castle in my hand, ready to throw them at the feet of my lord, whenever and in what disguise soever he shall appear. I know he is in the neighborhood hidden among vagabonds. Shall I preclude my future, by taking a high seat, and kindly adapting my conversation to the shape of heads When I come to that, the doctors shall buy me for a cent. — “But, sir, medical history; the report to the Institute; the proven facts' — I distrust the facts and the inferences. Temperament is the veto or limitation-power in the constitution, very justly applied to restrain an opposite excess in the constitution, but absurdly offered as a bar to original equity. When virtue is in presence, all subordinate powers sleep. On its own level, or in view of nature, temperament is final. I see not, if one be once caught in this trap of so-called sciences, any escape for the man from the links of the chain of physical necessity. Given such an embryo, such a history must follow. On this platform, one lives in a sty of sensualism, and would soon come to suicide. But it is impossible that the creative power should exclude

itself. Into every intelligence there is a door which is never closed, through which the creator passes. The intellect, seeker of absolute truth, or the heart, lover of absolute good, intervenes for our succor, and at one whisper of these high powers, we awake from ineffectual struggles with this nightmare. We hurl it into its own hell, and cannot again contract ourselves to so base a state.

The secret of the illusoriness is in the necessity of a succession of moods or objects. Gladly we would anchor, but the anchorage is quicksand. This onward trick of nature is too strong for us: Pero si muove. When, at night, I look at the moon and stars, I seem stationary, and they to hurry. Our love of the real draws us to permanence, but health of body consists in circulation, and sanity of mind in variety or facility of association. We need change of objects. Dedication to one thought is quickly odious. We house with the insane, and must humor them ; then conversation dies out. Once I took such delight in Montaigne, that I thought I should not need any other book; before that, in Shakespeare; then in Plutarch ; then in Plotinus; at one time in Bacon; afterwards in Goethe ; even in Bettine; but now I turn the pages of either of them languidly, whilst I still cherish their -genius. So with pictures; each will bear an emphasis of attention once, which it cannot retain, though we fain would continue to be pleased in that manner. How strongly I have felt of pictures, that when you have seen one well, you must take your leave of it; you shall never see it again. I have had good lessons from pictures, which I have since seen without emotion or remark. A deduction must be made from the opinion, which even the wise express on a new book or occurrence. Their opinion gives me tidings of their mood, and Some vague guess at the new fact, but is nowise to be trusted as the lasting relation between that intellect and that thing. The child asks, ‘Mamma, why don't I like the story as well as when you told it me yesterday !’ Alas, child, it is even so with the oldest cherubim of knowledge. But will it answer thy question to say, Because thou wert born to a whole, and this story is a particular The reason of the pain this discovery causes us (and we make it late in respect to works of arts and intellect), is the plaint of tragedy which murmurs from it in regard to persons, to friendship and love. That immobility and absence of elasticity which we find in the arts, we find with more pain in the artist. There is no power

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