The Life and Life-work of Samuel PhelpsSampson Low, Marston, Searle & Rivington, 1886 - 436 Seiten |
Im Buch
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Seite 30
... artist and a master . The late John Oxenford , in one of his criticisms , said that those who had seen his Bottom the Weaver , Parolles , Don Adriano de Armado , Falstaff , Shallow , and Sir Pertinax Macsycophant would not easily forget ...
... artist and a master . The late John Oxenford , in one of his criticisms , said that those who had seen his Bottom the Weaver , Parolles , Don Adriano de Armado , Falstaff , Shallow , and Sir Pertinax Macsycophant would not easily forget ...
Seite 42
... artist of some distinction in London . Mr. Shalders himself played all the second characters in each piece , as he had done with Mr. Phelps his first five nights in Plymouth . Whilst at Southampton , Mr. Macready , instead of deputing ...
... artist of some distinction in London . Mr. Shalders himself played all the second characters in each piece , as he had done with Mr. Phelps his first five nights in Plymouth . Whilst at Southampton , Mr. Macready , instead of deputing ...
Seite 84
... artistic power ; and the actor is successful in impressing the poetic spirit of the character upon his audience . The majesty , as well as the paternal tenderness of Lear is preserved throughout ; the grief , despair , and madness are ...
... artistic power ; and the actor is successful in impressing the poetic spirit of the character upon his audience . The majesty , as well as the paternal tenderness of Lear is preserved throughout ; the grief , despair , and madness are ...
Seite 87
... artist . But it may be safely said that , up to this moment , he has no equal in the part , not only at the present period , but in the past history of the English drama , so far as it has been handed down to posterity . " 1846-1847 ...
... artist . But it may be safely said that , up to this moment , he has no equal in the part , not only at the present period , but in the past history of the English drama , so far as it has been handed down to posterity . " 1846-1847 ...
Seite 94
... artists . faith so fervid , and a taste so pure for the highest and profoundest kind of drama , are something very different from , and must not be confounded with , the showman's mode , that seeks to dazzle with costly furniture , or ...
... artists . faith so fervid , and a taste so pure for the highest and profoundest kind of drama , are something very different from , and must not be confounded with , the showman's mode , that seeks to dazzle with costly furniture , or ...
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The Life and Life-Work of Samuel Phelps W. May Phelps,John Forbes-Robertson Keine Leseprobe verfügbar - 2014 |
Häufige Begriffe und Wortgruppen
actor admirable afterwards appeared applause artist audience Bennett Brutus Cæsar Charles Charles Kean comedy comic commenced Covent Garden criticism Daughter DEAR SIR drama Drury Lane Duke Earl Edmund Kean Edmund Phelps effect engagement Falstaff feeling FENTON genius Gentlemen GREENWOOD Hamlet Haymarket Helen Faucit Hermann Vezin honour Hoskins Iago JAMES WHITE JOHN FORSTER Julius Cæsar King Henry King John King Lear Lady of Lyons letter London Lord Macduff Macready's Malvolio Marston MESSRS mind Miss Addison Miss Cooper Miss Glyn Monday nature never occasion Othello passion performance Pericles Phelps played Phelps's piece play-goers poetical present Prince Princess's produced Queen revival Richelieu Sadler's Sadler's Wells Theatre SAMUEL PHELPS Saturday scene scenery season seen Shakespeare Sir Pertinax Macsycophant spirit stage success taste THEATRE ROYAL theatrical Timon tragedy Venice W. C. MACREADY Warner Webster week wife William Winter's Tale Wolsey young
Beliebte Passagen
Seite 190 - O let me not be mad, not mad, sweet heaven ! Keep me in temper ; I would not be mad ! — Enter Gentleman.
Seite 130 - I had — but man is but a patched fool, if he will offer to say what methought I had. The eye of man hath not heard, the ear of man hath not seen, man's hand is not able to taste, his tongue to conceive, nor his heart to report, what my dream was.
Seite 84 - No, you unnatural hags, I will have such revenges on you both, That all the world shall — I will do such things — What they are yet I know not ; but they shall be The terrors of the earth.
Seite 272 - To move a horror skilfully, to touch a soul to the quick, to lay upon fear as much as it can bear, to wean and weary a life till it is ready to drop, and then step in with mortal instruments to take its last forfeit : this only a Webster can do. Inferior geniuses may " upon horror's head horrors accumulate,
Seite 329 - O Cromwell, Cromwell, Had I but served my God with half the zeal I served my king, he would not in mine age Have left me naked to mine enemies.
Seite 324 - Where should Othello go? — Now, how dost thou look now ? O ill-starr'd wench ! Pale as thy smock ! when we shall meet at compt, This look of thine will hurl my soul from heaven, And fiends will snatch at it. Cold, cold, my girl? Even like thy chastity. — O cursed, cursed slave ! — Whip me, ye devils, From the possession of this heavenly sight! Blow me about in winds! roast me in sulphur! "Wash me in steep-down gulfs of liquid fire!
Seite 200 - O now, for ever, Farewell the tranquil mind ! Farewell content ! Farewell the plumed troop, and the big wars, That make ambition virtue ! O, farewell ! Farewell the neighing steed, and the shrill trump, The spirit-stirring drum, the ear-piercing fife, The royal banner ; and all quality. Pride, pomp, and circumstance of glorious war ! And O, you mortal engines, whose rude throats The immortal Jove's dread clamours counterfeit, Farewell ! Othello's occupation's gone ! lago.
Seite 200 - O curse of marriage, That we can call these delicate creatures ours, And not their appetites! I had rather be a toad, And live upon the vapour of a dungeon, Than keep a corner in the thing I love For others
Seite 200 - If I do prove her haggard, Though that her jesses were my dear heart-strings, I'd whistle her off, and let her down the wind, To prey at fortune.
Seite 337 - Who made a nation purer through their art. Thine is it that our drama did not die, Nor flicker down to brainless pantomime, And those gilt gauds men-children swarm to see. Farewell, Macready; moral, grave, sublime; Our Shakespeare's bland and universal eye Dwells pleased, through twice a hundred years, on thee.