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and time, must be determined by the things to which they relate. To use them, therefore, with reference to different things, is in effect to employ the same word in different senses; which, when it occurs in the same sentence, or in sentences closely connected, is rarely found entirely compatible with perspicuity. Of this I shall give some examples. “One may have “ an air which proceeds from a just sufficiency and * knowledge of the matter before him, which may “ naturally produce some motions of his head and
body, wbich might become the bench better than “the bar *.” The pronoun which is here thrice used in three several senses; and it must require reflection to discover, that the first denotes an air, the second sufficiency and knowledge, and the third motions of the head and body. Such is the use of the pronouns those and who in the following sentence of the same writer : “ The sharks, who prey upon the inadvertency of
young heirs, are more pardonable than those, who “ trespass upon the good opinion of those, who treat “ with them upon the foot of choice and respect f." The same fault here renders a very short sentence at once obscure, inelegant, and uninusical. The like use of the pronoun they in the following sentence, almost occasions an ambiguity: “ They were persons of “ such moderate intellects, even before they were im
paired by their passion [.”--The use made of the pronoun it in the example subjoined, is liable to the
* Guardian, No. 13.
+ Ib. No. 73.
Spect. No. 30.
Sect. I. The obscurity... Part III. From an uncertain reference in pronouns, &c.
same exception : “ If it were spoken with never so
great skill in the actor, the manner of uttering that
sentence could have nothing in it, which could " strike any but people of the greatest humanity, nay, people elegant and skilful in observations
upon it *.” To the preceding examples I shall add one, wherein the adverb when, by being used in the same manner, occasions some obscurity : “ He is inspired with a true
sense of that function, when chosen from a regard “ to the interests of piety and virtue, and a scorn of “ whatever men call great in a transitory being, when “ it comes in competition with what is unchangeable " and eternal t.”
PART IV. From an uncertain reference in pronouns and rela
A CAUSE of obscurity also arising from the use of pronouns and relatives, is when it doth not appear at first to what they refer. Of this fault I shall give the three following instances: “ There are other exam
ples,” says Bolingbroke,“ of the same kind, which “ cannot be brought without the utmost horror, be" cause in them it is supposed impiously, against prin“ciples as self-evident as any of those necessary truths, " which are such of all knowledge, that the supreme
Being commands by one law, what he forbids by
“ another *.” It is not so clear as it ought to be, what is the antecedent to such. Another from the same author, “ The laws of Nature are truly what my “Lord Bacon styles his aphorisms, laws of laws. Ci“ vil laws are always imperfect, and often false de“ ductions from them, or applications of them; nay,
they stand in many instances in direct opposition to " them t.” It is not quite obvious, on the first reading, that the pronoun them in this passage doth always refer to the laws of Nature, and they to civil laws. “ When a man considers the state of his own
mind, about which every member of the Christian “ world is supposed at this time to be employed, he “ will find that the best defence against vice, is pre
serving the worthiest part of his own spirit pure “ from any great offence against it I.” It must be owned that the darkness of this sentence is not to be imputed solely to the pronoun.
From too artificial a structure of the
ANOTHER cause of obscurity is when the structure of the sentence is too much complicated, or too artificial; or when the sense is too long suspended by parentheses. Some critics have been so strongly persuaded of the bad effect of parentheses on perspicuity, as to think they ought to be discarded altogether.
* Bolingb. Phil. Fr. 30. Phil. Fr. 9. I Guardian, No. 19.
The obscurity.... Part VI. Frony technical terms.
If the pa
But this, I imagine, is also an extreme.
Part VI. From technical terms.
ANOTHER source of darkness in composing, is the in judicious introduction of technical words and phrases, as in the following passage:
Tack to the larboard, and stand off to sea,
* Dryden's Æneid.
What an absurd profusion, in an epic poem too, of terms which scarce any but seamen understand! In strict propriety, technical words should not be considered as belonging to the language; because not in current use, nor understood by the generality even of readers. They are but the peculiar dialect of a particular class. When those of that class only are addressed, as in treatises on the principles of their art, it is admitted, that the use of such terms may be not only convenient, but even necessary.
It is allowable also in ridicule, if used sparingly, as in comedy and romance.
PART VII....From long Sentences.
The last cause of obscurity I shall take notice of, is very long sentences. This rarely fails to be conjoined with some of the other faults before mentioned. The two subsequent quotations from two eminent writers, will serve sufficiently to exemplify more than one of them. The first is from Bolingbroke's Philosophy : “ If we are so, contrary to all appearances
(for they denote plainly one single system, all the “ parts of which are so intimately connected, and de
pendent one on another, that the whole begins, pro“ ceeds, and ends together this union of a body and " a soul must be magical indeed, as Doctor Cudworth “ calls it, so magical, that the hypothesis serves to no
purpose in philosophy, whatever it may do in theology; and is still less comprehensible, than the hy.