Patterns in Shakespearian TragedyRoutledge, 13.09.2013 - 224 Seiten First published in 1960. Patterns in Shakespearian Tragedy is an exploration of man's relation to his universe and the way in which it seeks to postulate a moral order. Shakespeare's development is treated accordingly as a growth in moral vision. His movement from play to play is carefully explored, and in the treatment of each tragedy the emphasis is on the manner in which its central moral theme shapes the various elements of drama |
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Seite
... Tragic Sequence VII Patterns in Shakespearian Tragedy Ribner VIII Music in Shakespearean Tragedy Sternfeld Shakespeare and the Reason The Story of the Night Shakespeare's God Brooke Harrison Hawkes Holloway Morris Patterns in ...
... Tragic Sequence VII Patterns in Shakespearian Tragedy Ribner VIII Music in Shakespearean Tragedy Sternfeld Shakespeare and the Reason The Story of the Night Shakespeare's God Brooke Harrison Hawkes Holloway Morris Patterns in ...
Seite
... Tragic Sequence Patterns in Shakespearian Tragedy Music in Shakespearean Tragedy Brooke Harrison Hawkes Holloway Morris Muir Ribner Sternfeld PATTERNS IN SHAKESPEARIAN TRAGEDY IRVING RIBNER Routledge Taylor & Francis.
... Tragic Sequence Patterns in Shakespearian Tragedy Music in Shakespearean Tragedy Brooke Harrison Hawkes Holloway Morris Muir Ribner Sternfeld PATTERNS IN SHAKESPEARIAN TRAGEDY IRVING RIBNER Routledge Taylor & Francis.
Seite 3
... Tragic Heroes ( New York , 1952 ) . Peter Alexander , Hamlet , Father and Son ( Oxford , 1955 ) , p . 53 , writes that ' Bradley , in his zeal to reconcile us to the facts of tragedy , offers us a conclusion to which only a profound ...
... Tragic Heroes ( New York , 1952 ) . Peter Alexander , Hamlet , Father and Son ( Oxford , 1955 ) , p . 53 , writes that ' Bradley , in his zeal to reconcile us to the facts of tragedy , offers us a conclusion to which only a profound ...
Seite 4
... tragic hero must be a free , conscious agent , capable of deliberate moral choice . But the individual may also be a symbol of mankind , and the problem he faces may be that which all men face . Shakespeare's interest is in mankind more ...
... tragic hero must be a free , conscious agent , capable of deliberate moral choice . But the individual may also be a symbol of mankind , and the problem he faces may be that which all men face . Shakespeare's interest is in mankind more ...
Seite 8
... tragic emotions . As the audience watches the hero suffering and dying , it wonders with him if the universe is indeed so ordered and just as man's most basic impulses compel him to believe . In the relief of this doubt lies the ...
... tragic emotions . As the audience watches the hero suffering and dying , it wonders with him if the universe is indeed so ordered and just as man's most basic impulses compel him to believe . In the relief of this doubt lies the ...
Inhalt
1 | |
14 | |
King John Richard II Julius Caesar | 36 |
Hamlet | 65 |
Othello | 91 |
King Lear | 116 |
Timon of Athens and Macbeth | 137 |
Antony and Cleopatra and Coriolanus | 168 |
Index +55 14 36 65 91 116 137 168 | 203 |
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accept action already Antony appearance attain attempt audience becomes beginning bond Brutus Caesar calls cause character Christian Claudius clear Cleopatra comes concerned Coriolanus damnation death delusion deny Desdemona designed destroy destruction developed divine dramatic Elizabethan emphasize England evil fall father fear feeling final follow forces fortune function ghost give Gloucester God's Hamlet hand hero honour human Iago John justice kind King lead Lear Lear's learned lines live London Macbeth madness man's means moral murder nature never offer opposing Othello passion pattern play political pride reality reason reflects regeneration rejection represents revenge Richard Rome Romeo and Juliet scene sense serve Shake Shakespeare Shakespearian Tragedy shows sins soul specific speech spite stands story suffering symbol thee theme thou Timon Titus Andronicus tradition tragedy tragic true turn universe victory virtue Wilson York