Patterns in Shakespearian TragedyRoutledge, 13.09.2013 - 224 Seiten First published in 1960. Patterns in Shakespearian Tragedy is an exploration of man's relation to his universe and the way in which it seeks to postulate a moral order. Shakespeare's development is treated accordingly as a growth in moral vision. His movement from play to play is carefully explored, and in the treatment of each tragedy the emphasis is on the manner in which its central moral theme shapes the various elements of drama |
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... symbol. It is, nevertheless, observable that as Shakespeare became more and more absorbed in the religious and ethical dimensions of tragedy he concentrated more and more on the development of symbol, with a corollary unconcern for ...
... symbol. It is, nevertheless, observable that as Shakespeare became more and more absorbed in the religious and ethical dimensions of tragedy he concentrated more and more on the development of symbol, with a corollary unconcern for ...
Seite 2
... symbolism in realistic terms , as Piers Plowman , The Faerie Queene or Pilgrim's Progress may illustrate . Dramatic ... symbol . It is , nevertheless , observable that as Shakespeare became more and more absorbed in the religious and ...
... symbolism in realistic terms , as Piers Plowman , The Faerie Queene or Pilgrim's Progress may illustrate . Dramatic ... symbol . It is , nevertheless , observable that as Shakespeare became more and more absorbed in the religious and ...
Seite 3
Irving Ribner. dimensions of tragedy he concentrated more and more on the development of symbol , with a corollary unconcern for character consistency . This becomes evident as we move from Hamlet to Othello , and it is particularly ...
Irving Ribner. dimensions of tragedy he concentrated more and more on the development of symbol , with a corollary unconcern for character consistency . This becomes evident as we move from Hamlet to Othello , and it is particularly ...
Seite 4
... symbol of mankind , and the problem he faces may be that which all men face . Shakespeare's interest is in mankind more than in individuals . He endows his characters with a convincing illusion of reality , but through them he explores ...
... symbol of mankind , and the problem he faces may be that which all men face . Shakespeare's interest is in mankind more than in individuals . He endows his characters with a convincing illusion of reality , but through them he explores ...
Seite 5
... symbols of humanity in the large . Medieval art was largely allegorical . Its impulse was didactic , and it relied upon specific symbol to depict universal truth . This was the method of Dante's Divine Comedy , which Fergusson has seen ...
... symbols of humanity in the large . Medieval art was largely allegorical . Its impulse was didactic , and it relied upon specific symbol to depict universal truth . This was the method of Dante's Divine Comedy , which Fergusson has seen ...
Inhalt
1 | |
14 | |
King John Richard II Julius Caesar | 36 |
Hamlet | 65 |
Othello | 91 |
King Lear | 116 |
Timon of Athens and Macbeth | 137 |
Antony and Cleopatra and Coriolanus | 168 |
Index +55 14 36 65 91 116 137 168 | 203 |
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accept action already Antony appearance attain attempt audience becomes beginning bond Brutus Caesar calls cause character Christian Claudius clear Cleopatra comes concerned Coriolanus damnation death delusion deny Desdemona designed destroy destruction developed divine dramatic Elizabethan emphasize England evil fall father fear feeling final follow forces fortune function ghost give Gloucester God's Hamlet hand hero honour human Iago John justice kind King lead Lear Lear's learned lines live London Macbeth madness man's means moral murder nature never offer opposing Othello passion pattern play political pride reality reason reflects regeneration rejection represents revenge Richard Rome Romeo and Juliet scene sense serve Shake Shakespeare Shakespearian Tragedy shows sins soul specific speech spite stands story suffering symbol thee theme thou Timon Titus Andronicus tradition tragedy tragic true turn universe victory virtue Wilson York