Patterns in Shakespearian TragedyRoutledge, 13.09.2013 - 224 Seiten First published in 1960. Patterns in Shakespearian Tragedy is an exploration of man's relation to his universe and the way in which it seeks to postulate a moral order. Shakespeare's development is treated accordingly as a growth in moral vision. His movement from play to play is carefully explored, and in the treatment of each tragedy the emphasis is on the manner in which its central moral theme shapes the various elements of drama |
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Seite
... in Shakespearian Tragedy Ribner VIII Music in Shakespearean Tragedy Sternfeld Shakespeare and the Reason The Story of the Night Shakespeare's God Brooke Harrison Hawkes Holloway Morris Patterns in Shakespearian Tragedy Irving Ribner.
... in Shakespearian Tragedy Ribner VIII Music in Shakespearean Tragedy Sternfeld Shakespeare and the Reason The Story of the Night Shakespeare's God Brooke Harrison Hawkes Holloway Morris Patterns in Shakespearian Tragedy Irving Ribner.
Seite
... Story of the Night Shakespeare's God Shakespeare's Tragic Sequence Patterns in Shakespearian Tragedy Music in Shakespearean Tragedy Brooke Harrison Hawkes Holloway Morris Muir Ribner Sternfeld PATTERNS IN SHAKESPEARIAN TRAGEDY IRVING ...
... Story of the Night Shakespeare's God Shakespeare's Tragic Sequence Patterns in Shakespearian Tragedy Music in Shakespearean Tragedy Brooke Harrison Hawkes Holloway Morris Muir Ribner Sternfeld PATTERNS IN SHAKESPEARIAN TRAGEDY IRVING ...
Seite 16
... story of Philomela which he borrowed , but by the entire Metamorphoses , with its emphasis upon the trans- 1 See F. T. Bowers , Elizabethan Revenge Tragedy ( Princeton , 1940 ) . 2 G. B. Harrison , Shakespeare's Tragedies ( London ...
... story of Philomela which he borrowed , but by the entire Metamorphoses , with its emphasis upon the trans- 1 See F. T. Bowers , Elizabethan Revenge Tragedy ( Princeton , 1940 ) . 2 G. B. Harrison , Shakespeare's Tragedies ( London ...
Seite 17
... story being the sacrifice of Alarbus . He shapes the character of Aaron as an independent force of evil , rather than as a mere agent of the queen . He introduces the parallel with Ovid's tale of Philomela , and he adds the final ...
... story being the sacrifice of Alarbus . He shapes the character of Aaron as an independent force of evil , rather than as a mere agent of the queen . He introduces the parallel with Ovid's tale of Philomela , and he adds the final ...
Seite 21
... story of Eve's seduction in the garden of Eden . It was at the heart of the medieval morality play , and Shakespeare was to use it again and again , most notably in Othello . Shakespeare in Titus Andronicus already conceived of tragedy ...
... story of Eve's seduction in the garden of Eden . It was at the heart of the medieval morality play , and Shakespeare was to use it again and again , most notably in Othello . Shakespeare in Titus Andronicus already conceived of tragedy ...
Inhalt
1 | |
14 | |
King John Richard II Julius Caesar | 36 |
Hamlet | 65 |
Othello | 91 |
King Lear | 116 |
Timon of Athens and Macbeth | 137 |
Antony and Cleopatra and Coriolanus | 168 |
Index +55 14 36 65 91 116 137 168 | 203 |
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accept action already Antony appearance attain attempt audience becomes beginning bond Brutus Caesar calls cause character Christian Claudius clear Cleopatra comes concerned Coriolanus damnation death delusion deny Desdemona designed destroy destruction developed divine dramatic Elizabethan emphasize England evil fall father fear feeling final follow forces fortune function ghost give Gloucester God's Hamlet hand hero honour human Iago John justice kind King lead Lear Lear's learned lines live London Macbeth madness man's means moral murder nature never offer opposing Othello passion pattern play political pride reality reason reflects regeneration rejection represents revenge Richard Rome Romeo and Juliet scene sense serve Shake Shakespeare Shakespearian Tragedy shows sins soul specific speech spite stands story suffering symbol thee theme thou Timon Titus Andronicus tradition tragedy tragic true turn universe victory virtue Wilson York