Patterns in Shakespearian TragedyRoutledge, 13.09.2013 - 224 Seiten First published in 1960. Patterns in Shakespearian Tragedy is an exploration of man's relation to his universe and the way in which it seeks to postulate a moral order. Shakespeare's development is treated accordingly as a growth in moral vision. His movement from play to play is carefully explored, and in the treatment of each tragedy the emphasis is on the manner in which its central moral theme shapes the various elements of drama |
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... specific indebtedness in the notes , but for the many writers I have omitted this blanket statement must of necessity suffice . The numbering of the Globe text has been used for all Shake- speare references . To the editors of The ...
... specific indebtedness in the notes , but for the many writers I have omitted this blanket statement must of necessity suffice . The numbering of the Globe text has been used for all Shake- speare references . To the editors of The ...
Seite 2
... specific thematic functions . We are not concerned with Shakespeare's process of composition , if indeed we ever could determine it , but with the fusion of theme , action , character and language into a total unity which is the final ...
... specific thematic functions . We are not concerned with Shakespeare's process of composition , if indeed we ever could determine it , but with the fusion of theme , action , character and language into a total unity which is the final ...
Seite 5
... specific symbol to depict universal truth . This was the method of Dante's Divine Comedy , which Fergusson has seen as the prototype of the drama of Western Europe . To effect its philosophical ends , Shakespeare's theatre used specific ...
... specific symbol to depict universal truth . This was the method of Dante's Divine Comedy , which Fergusson has seen as the prototype of the drama of Western Europe . To effect its philosophical ends , Shakespeare's theatre used specific ...
Seite 9
... specific 1 This has been recognized in the recent books by D. G. James , Arthur Sewell and Geoffrey Bush . They have reasserted the cognitive function of tragedy , and they have argued that its way of knowing is different both from that ...
... specific 1 This has been recognized in the recent books by D. G. James , Arthur Sewell and Geoffrey Bush . They have reasserted the cognitive function of tragedy , and they have argued that its way of knowing is different both from that ...
Seite 10
... specific ideas and moral positions , but these are given ' a local habitation and a name ' . Shakespeare as an artist goes beyond the philosopher in that his abstract ideas are tested in the imaginative setting of real - life situation ...
... specific ideas and moral positions , but these are given ' a local habitation and a name ' . Shakespeare as an artist goes beyond the philosopher in that his abstract ideas are tested in the imaginative setting of real - life situation ...
Inhalt
1 | |
14 | |
King John Richard II Julius Caesar | 36 |
Hamlet | 65 |
Othello | 91 |
King Lear | 116 |
Timon of Athens and Macbeth | 137 |
Antony and Cleopatra and Coriolanus | 168 |
Index +55 14 36 65 91 116 137 168 | 203 |
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accept action already Antony appearance attain attempt audience becomes beginning bond Brutus Caesar calls cause character Christian Claudius clear Cleopatra comes concerned Coriolanus damnation death delusion deny Desdemona designed destroy destruction developed divine dramatic Elizabethan emphasize England evil fall father fear feeling final follow forces fortune function ghost give Gloucester God's Hamlet hand hero honour human Iago John justice kind King lead Lear Lear's learned lines live London Macbeth madness man's means moral murder nature never offer opposing Othello passion pattern play political pride reality reason reflects regeneration rejection represents revenge Richard Rome Romeo and Juliet scene sense serve Shake Shakespeare Shakespearian Tragedy shows sins soul specific speech spite stands story suffering symbol thee theme thou Timon Titus Andronicus tradition tragedy tragic true turn universe victory virtue Wilson York